You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Turkish ceremony in Le Bourgeois gentilhomme has been popular with audiences for almost 350 years and remains one of the bestknown scenes of early modern French theatre. This newly researched volume spotlights the Turkish ceremony in its original technicolor, presenting numerous important discoveries that have never before been published. It shows that even in a field as thoroughly investigated as the collaboration between Molière and Lully at the court of Louis XIV, there is still much new source material to be discovered, and many new connections to be made. As the multidisciplinary essays examine the burlesque Turkish scene from a social, political, textual and iconographic view point they unearth, time and again, flaws, omissions and errors transmitted in earlier scholarship. Ritual Design is a must-have volume that sets the record straight.
An interdisciplinary approach to establish the significance of the first illustrated edition of the plays of Terence, its commentary and iconographic traditions and legacy in sixteenth-century Italy and France.
This book traces a revolution in values that transformed nineteenth-century attitudes to second-hand books, bibliography and collecting.
The first Classical text was printed at Mainz in 1465. By the end of 1500 more than 350 printers in over 70 locations had contributed to the printing of more than 1500 separate editions. Almost every Classical Latin author had been printed, many in multiple editions, and the printing of Greek authors was well under way. Printing the Classical Text presents a comprehensive survey of this momentous period in the evolution of the Classical text. Since the course of Classical printing cannot be viewed separately from the course of printing generally, the opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial...
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 2001. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
As we rely increasingly on digital resources, what is our responsibility to preserve 'old books' for the future? How was the question of preservation approached historically? David McKitterick's lively and wide-ranging study explores how 'old books' have been represented and interpreted from the eighteenth century to the present day.
Premier des grands marchands-libraires parisiens, éditeur de plus de 280 ouvrages, A. Vérard se proclame être l'"acteur" du livre. Il se fait représenter une trentaine de fois à genoux offrant son livre, et il ajoute à certaines éditions une prière, un poème ou un prologue adressé à son "patron". Edités ici, ces prologues et ces poèmes, accompagnés de miniatures, sont examinés.
The first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. After tracing the publishing history of this distinctive but little-known repertoire, the author places the works in their social, liturgical and musical context.