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The Many Facets of Storytelling: Global Reflections on Narrative Complexity
This volume was first published by Inter-Disciplinary Press in 2013. The Many Facets of Storytelling: Global Reflections on Narrative Complexity explores a range of issues around narratives and their uses in various contexts and aspects of life. The premise for this volume is that human beings are storytelling creatures and stories or narratives are part of our daily lives and have been for centuries. From this starting point, the authors in this volume offer their explorations, reflections and findings from research and practice across disciplines and continents. Certain functions of stories are uncovered - education, social change and identity formation, for example. Some specific uses of narratives are investigated, such as in research methodology and representations in the media. Finally, other narratives are offered for themselves, as performances and (auto)biographical reflections. The chapters in this volume illustrate the many meanings of storytelling, and thus account for the layers of complexity that are inevitable when we discuss narratives.
Postcolonial Francophone Autobiographies
Bringing a comparative perspective to the study of autobiography, Edgard Sankara considers a cross-section of postcolonial francophone writing from Africa and the Caribbean in order to examine and compare for the first time their transnational reception. Sankara not only compares the ways in which a wide selection of autobiographies were received locally (as well as in France) but also juxtaposes reception by the colonized and the colonizer to show how different meanings were assigned to the works after publication. Sankara’s geographical and cultural coverage of Africa and its diaspora is rich, with separate chapters devoted to the autobiographies of Hampâté Bâ, Valentin Mudimbé, Kess...
Current Catalog
First multi-year cumulation covers six years: 1965-70.
French XX Bibliography
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
The Sufi and the Friar
This book explores the profound spiritual encounter between Serge de Beaurecueil (1917–2005), a twentieth-century French Dominican friar and Christian mystic, and the eleventh-century Ḥanbalī Sufi master Khwāja 'Abdullāh Anṣārī of Herāt (1006–1089). De Beaurecueil lived much of his Christian discipleship in Cairo and Afghanistan, where he became the foremost expert on the life and thought of Anṣārī. His mystical conversation and scholarly engagement with Anṣārī, his experience of Islamic hospitality, and the transformation of his own practical spirituality or praxis mystica through his experience of dwelling in the abode of Islam provide us with not only a magnificent and luminous meditation on the hidden and abiding presence of God among Muslims but also a contemplation on the quandary of genuine engagement with and openness to the religious other.
Theatre and Drama in Francophone Africa
This is the first study to be entirely devoted to African literary drama in French, a major component of African theater. Beginning with a detailed analysis of its relationship to a variety of precolonial, but sometimes still contemporary, traditions of performance that constitute part of its roots, the author examines this drama in both its literary and theatrical dimensions. He discusses its development, themes and techniques up to and including contemporary theater. The book is divided into two sections: Part One offers a theoretical and historical background; Part Two analyzes key individual plays central to the repertoire, including two from the Caribbean. All quotations are translated into English.
The Practice of Everyday Life
Repackage of a classic sociology text in which the author developes the idea of resistance to social and economic pressures.
New Soundings in Postcolonial Writing
New Soundings in Postcolonial Writing is a collection of critical and creative writing in honour of the postcolonial critic, editor and anthologist Bruce King. There are essays on topics relating to Caribbean authors (Derek Walcott, Simone and Andre Schwarz-Bart); diaspora writers in England (Zadie Smith, Andrea Levy, Michael Ondaatje), South East Asian writing in English (Arun Kolatkar, recent Pakistani fiction, Anita Desai) and New Zealand, Canadian and Pacific writers (Albert Wendt, Patricia Grace, Bill Manhire, Joseph Boyden, Greg O’Brien). The creative writing section features new work by David Dabydeen, Fred D’Aguiar, Arvind Mehrotra, Jeet Thayil, Meena Alexander, Keki Daruwalla, Adil Jussawalla, Tabish Khair, Susan Visvanathan and others, reflecting King’s pioneering work on Indian poetry in English, and his many friendships.
Nimrod
The Chadian writer Nimrod—philosopher, poet, novelist, and essayist—is one of the most dynamic and vital voices in contemporary African literature and thought. Yet little of Nimrod’s writing has been translated into English until now. Introductory material by Frieda Ekotto provides context for Nimrod’s work and demonstrates the urgency of making it available beyond Francophone Africa to a broader global audience. At the heart of this volume are Nimrod’s essays on Léopold Sédar Senghor, a key figure in the literary and aesthetic Négritude movement of the 1930s and president of Senegal from 1945 through 1980. Widely dismissed in recent decades as problematically essentialist, Seng...
French Poets of Today
Virtually all the writers grouped in this collection have been active in the French poetry scene for many years. Although the thirteen writers here have crossed paths, their literary domains remain somewhat far apart. The poets included in this anthology are Patrice Beray, Patrice Delbourg, Olivier Kaeppelin, Leslie Kaplan, Dominique Labarriere, Yves Martin, Jean-Yves Reuzeau, James Sacre, Serge Safran, Serge Sautreau, Andre Velter, Franck Venaille and Marc Villard.
