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All About Nothing
A simple and fictional take, based on actual research, on how zero came to be used in mathematical calculations. Was it Muchu the merchant's idea, maybe? Illustrations have bright earthy colours.
Children's Cultures after Childhood
Children’s Cultures after Childhood introduces theoretical concepts from new materialist and posthumanist childhood studies into research on children’s literature, film, and media texts with attention to the entanglements of which they are part. Thirteen chapters by international contributors from diverse disciplinary fields (literary studies, cultural studies, media studies, education, and childhood studies) offer a cross-section of empirical and theoretical approaches sharing an inspiration in the notion of “after childhoods”, proposed by Peter Kraftl, a children’s geographer, to conceptualize theoretical and methodological orientations in research on children’s lives and on past, present, and future childhoods. This interdisciplinary collection will be of interest to scholars working in children’s literature and culture studies, education, and childhood studies.
My Mother's Sari
Mother's sari is sometimes a train, sometimes a river, or a swing, or a hiding place... Children have a way of seeing things differently! The spare text weaves and winds between a visual interplay of children, colours and textures, to create the mood-filled world of My Mother's Sari. * Dynamic interplay of text and visual that takes the reader on a sartorial journey with the graceful and everyday sari * Illustrated by an international award-winning filmmaker-artist, who breaks away from conventional depictions of both sari and children, combining photographs and acrylic in dramatic, original ways to create stunning visuals * Encourages the child to explore, dream and find new experiences at playtime * With a step by step guide to wearing a sari.
Home
Nina Sabnani's storytelling house is an unusual stand-up book which unfolds visual narratives like multiple windows on a computer screen! She brilliantly adapts a traditional storytelling from India and creates an interactive book with a contemporary look and feel. The Kaavad is a portable wooden shrine used by traditional storytellers in Rajasthan, India. Its many-hinged panels display vibrantly painted scenes from local myths and folktales. The Kaavadiya Bhat narrates the stories, opening up each painted panel as he goes along, pointing each figure with a peacock feather. Through the stories he reinforces inter-connections within his community and establishes his own space in it.
The Many Facets of Storytelling: Global Reflections on Narrative Complexity
This volume was first published by Inter-Disciplinary Press in 2013. The Many Facets of Storytelling: Global Reflections on Narrative Complexity explores a range of issues around narratives and their uses in various contexts and aspects of life. The premise for this volume is that human beings are storytelling creatures and stories or narratives are part of our daily lives and have been for centuries. From this starting point, the authors in this volume offer their explorations, reflections and findings from research and practice across disciplines and continents. Certain functions of stories are uncovered - education, social change and identity formation, for example. Some specific uses of narratives are investigated, such as in research methodology and representations in the media. Finally, other narratives are offered for themselves, as performances and (auto)biographical reflections. The chapters in this volume illustrate the many meanings of storytelling, and thus account for the layers of complexity that are inevitable when we discuss narratives.
Kaavad Tradition of Rajasthan
The Kaavad of Rajasthan is a portable shrine with multiple doors that fold into themselves. The Kaavadiya Bhat or the storyteller journeys with this brightly painted wooden box to the homes of his patrons, to recite their genealogies and regale them with the stories of the pantheon of deities painted on the shrine. It is a tradition that binds communities in common memory and mythology. Exploring a panel at a time of this curious mnemonic device, Nina Sabnani leads us on a journey to uncover the myths and mysteries of this unique oral-storytelling tradition.
Sameer's House
Sameer Lives In A House On Saraswati Street In A City Called Mumbai, Which Is In Maharashtra, Which Is In India, Which Is . . . A Popular Idea Re-Presented In A New And Appealing Way To Show How Everyone Is A Small Part Of This Universe. The Strong Illustrations Take Children On A Visual Journey Of Expanding Horizons, From Sameer S House To The Star-Filled Universe.
Counting on Moru
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Animation Writing and Development
The art. The craft. The business. Animation Writing and Development takes students and animation professionals alike through the process of creating original characters, developing a television series, feature, or multimedia project, and writing professional premises, outlines and scripts. It covers the process of developing presentation bibles and pitching original projects as well as ideas for episodes of shows already on the air. Animation Writing and Development includes chapters on animation history, on child development (writing for kids), and on storyboarding. It gives advice on marketing and finding work in the industry. It provides exercises for students as well as checklists for professionals polishing their craft. This is a guide to becoming a good writer as well as a successful one.
Talking, Drawing, Writing
In the early grades, talking and drawing can provide children with a natural pathway to writing, yet these components are often overlooked. In Talking, Drawing, Writing: Lessons for Our Youngest Writers , authors Martha Horn and Mary Ellen Giacobbe invite readers to join them in classrooms where they listen, watch, and talk with children, then use what they learn to create lessons designed to meet children where they are and lead them into the world of writing. The authors make a case for a broader definition of writing, advocating for formal storytelling sessions, in which children tell about what they know, and for focused sketching sessions so that budding writers learn how to observe mor...
