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Inventions of the Skin
  • Language: en
  • Pages: 192

Inventions of the Skin

Examines the painted body of the actor on the early modern stage. Inventions of the Skin illuminates a history of the stage technology of paint that extends backward to the 1460s York cycle and forward to the 1630s. Organized as a series of studies, the four chapters of this book examine goldface and divinity in York's Corpus Christi play, with special attention to the pageant representing The Transfiguration of Christ; bloodiness in Elizabethan and Jacobean drama, specifically blood's unexpected role as a device for disguise in plays such as Look About You (anon.) and Shakespeare's Coriolanus; racial masquerade within seventeenth-century court performances and popular plays, from Ben Jonson's Masque of Blackness to William Berkeley's The Lost Lady; and finally whiteface, death, and stoniness"e; in Thomas Middleton's The Second Maiden's Tragedy and Shakespeare's The Winter's Tale. Recovering a crucial grammar of theatrical representation, this book argues that the onstage embodiment of characters--not just the words written for them to speak--forms an important and overlooked aspect of stage representation.

Thunder at a Playhouse
  • Language: en
  • Pages: 271

Thunder at a Playhouse

critical issues of early modern performance in fresh and vital ways. --

Inventions of the Skin
  • Language: en

Inventions of the Skin

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

This book challenges the narrative of Shakespeare's 'bare' stage by looking at the 'ground zero' of early modern theatrical representation: the painted body of the actor. It questions the boundaries of the period categories 'mediaeval' and 'early modern' by demonstrating important continuities in theatrical labour and theatrical materials from mediaeval cycle drama through to the popular and courtly drama of the 1630s.

Summer Houses
  • Language: en
  • Pages: 201

Summer Houses

Summer Houses showcases architecture that celebrates the experience of summer living in New Zealand. Photographer Simon Devitt and writer Andrea Stevens have captured more than 20 of this country's most stunning homes and holiday retreats, each designed to maximise the connection to their environment and provide for a relaxed style of living. Devices such as louvers and sliding shutters create flexible summer spaces and enhance indoor-outdoor connections. Materials and construction techniques chosen for their appropriateness to their location create houses with an honesty of purpose and a strong sense of place. Whether urban, rural or set beside the beach, each of the houses featured in this book evokes the qualities that define summer living at its best.

Lettera Di F. L. Stevens a Pier Andrea Saccardo
  • Language: en

Lettera Di F. L. Stevens a Pier Andrea Saccardo

  • Type: Book
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  • Published: 1909
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  • Publisher: Unknown

None

Women and Twentieth-century Protestantism
  • Language: en
  • Pages: 374

Women and Twentieth-century Protestantism

Contributors consider the emergence of Latina Pentecostal clergy in the United States and the success of the Women's Missionary Union of the Southern Baptist Convention in remaining independent of male-dominated denominational structures. Among other topics, the authors discuss Chinese immigrant women who embraced the relative freedom offered by Protestant religion, African American women who assumed religious authority through their historical writing, and the struggles of women faith healers in defining their role amid medical and evangelical professionalism.

Berried at Sea
  • Language: en
  • Pages: 139

Berried at Sea

It’s a marriage made in murder in the new Cranberry Cove Mystery from USA Today bestselling author Peg Cochran! The long-awaited wedding of Monica and Greg is the highlight of the harvest season in Cranberry Cove, drawing friends from far and wide to help them celebrate. Among the guests are an old college friend of Monica’s and the woman’s boisterous new husband, a man with many enemies and more than a few bitter women in his past. When he turns up dead on a boat, the victim of a fatal stabbing, Monica steps in once again to unravel the mystery. As she dredges up clues and wades through a long list of suspects, Monica’s sleuthing becomes all the more pressing when the local police a...

Stigma
  • Language: en
  • Pages: 425

Stigma

The early modern period opened a new era in the history of dermal marking. Intensifying global travel and trade, especially the slave trade, bought diverse skin-marking practices into contact as never before. Stigma examines the distinctive skin cultures and marking methods of Asia, Europe, Africa, and the Americas as they began to circulate and reshape one another in the early modern world. By highlighting the interwoven histories of tattooing, branding, stigmata, baptismal and beauty marks, wounds and scars, this volume shows that early modern markers of skin and readers of marked skin did not think about different kinds of cutaneous signs as separate from each other. On the contrary, Euro...

Blood Matters
  • Language: en
  • Pages: 365

Blood Matters

In late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and—after William Harvey's discovery of its circulation—the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourse...

Shakespeare and the Power of the Face
  • Language: en
  • Pages: 223

Shakespeare and the Power of the Face

  • Type: Book
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  • Published: 2016-03-03
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  • Publisher: Routledge

Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly inviting the audience to attend carefully to facial features and expressions. The essays collected here disclose that an attention to the power of the face in Shakespeare’s England helps explain moments when Shakespeare’s language of the self becomes intertwined with his language of the face. As the range of these essays demonstrates, an attention to Shakespeare’s treatment of faces has implications for our understanding of the historical and cultural context in which he wrote, as well as the significance of the face for the ongoing in...