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The Tree of Life
The tree of life is an iconic visual symbol at the edge of religious thought over the last several millennia. As a show of its significance, the tree bookends the Christian canon; yet scholarship has paid it minimal attention in the modern era. In The Tree of Life a team of scholars explore the origin, development, meaning, reception, and theology of this consequential yet obscure symbol. The fourteen essays trek from the origins of the tree in the texts and material culture of the ancient Near East, to its notable roles in biblical literature, to its expansion by early church fathers and Gnostics, to its rebirth in medieval art and culture, and to its place in modern theological thought.
Time and Presence in Art
This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.
Construing the Cross
Construing the Cross reconsiders ways in which the cross of Christ was understood before “atonement theories” narrowed the categories. The “typology” of Passover is explored as probably the very first way in which Christians came to understand the passion. The use of sacrificial imagery is re-examined. The significance of identifying the cross with the Tree of Life is traced across the centuries into medieval times, along with other surprising links with the Eden narrative. The validity of seeking imaginative insights to grasp what the cross signifies is given theological consideration in a chapter that moves into literary and liturgical reflections and is punctuated with cruciform poems. The overall outcome is a quite paradoxical focus, not on death, but on life. Provisional contents Preface Introduction Chapter 1: Passover and Passion Chapter 2: Scapegoat and Sacrifice Chapter 3: Tree of Life Chapter 4: Signs, Symbols, and Serpents Chapter 5: Language, Liturgy, and Life A Final Word Bibliography Index
The End(s) of Time(s)
In times of crises, be it about climate change, the pandemic corona virus, or democratic struggles, there is an unwaning interest worldwide in the end of times and related themes such as apocalypticism, messianism, and utopianism. This concerns scholarship and society alike, and is by no means limited to the religious field. The present volume collates essays from specialists in the study of apocalyptic and eschatological subjects. With its interdisciplinary approach, it is designed to overcome the existing Euro-centrism and incorporate a broader perspective to the topic of end time expectations in the Christian Middle Ages as well as in East Asia and Africa. Contributors include: Gaelle Bosseman, Wolfram Brandes, Matthias Gebauer, Jürgen Gebhardt, Vincent Goossaert, Klaus Herbers, Matthias Kaup, Bernardo Bertholin Kerr, Thomas Krümpel, Richard Landes, Zhao Lu, Rolf Scheuermann, and Julia Eva Wannenmacher.
The Fullness of Time
Over the course of the fifteenth century, the Low Countries transformed Europe's economic, political and cultural life. Innovative and influential cultural practices emerged across the region in flourishing courts, towns, religious houses, guilds and confraternities. Whether in visual culture, music, devotional practice, or communal rituals, the thriving cultures of the Low Countries wrestled with time, both through explicit measurement and reflection, and in the rhythms of social and religious life. This book offers a deeper understanding of how time was structured and experienced by different constituencies through a series of detailed readings of diverse cultural objects and practices, ranging from woodcuts and painted altarpieces, to early print books, and to the use of polyphony in the liturgy. Individual chapters are devoted to life in the university towns of Louvain and Ghent, the liturgical rituals at Cambrai Cathedral, and the rich pageantry that marked the courts of Philip the Good and the new Burgundian rulers. What emerges is a complex temporal landscape in which devotional and secular practices and experiences merged into a new "fullness of time."
Imagined Networks in Pre-Modern Italian Literature
Imagined Networks in Pre-Modern Italian Literature: Literary Mothers, Literary Sisters presents the untold stories of the literary mothers and sisters in pre-modern Italian literature and the vibrant intellectual networks they forged. The authors argue that these women writers became adoptive references for other authors, often as an alternative to an established canon of textual authority. The proposed concepts of literary motherhood and sisterhood focus on the agency of the writers in choosing a model, rather than adhering to hierarchical structures. The women showcased in this book defied conventions, and are aware of the generative power of their works and regard themselves as literary g...
Early Modern Medievalisms
Modernity has historically defined itself by relation to classical antiquity on the one hand, and the medieval on the other. While early modernity’s relation to Antiquity has been amply documented, its relation to the medieval has been less studied. This volume seeks to address this omission by presenting some preliminary explorations of this field. In seventeen essays ranging from the Italian Renaissance to Enlightenment France, it focuses on three main themes: continuities and discontinuities between the medieval and early modern, early modern re-uses of medieval matter, and conceptualizations of the medieval. Collectively, the essays illustrate how early modern medievalisms differ in important respects from post-Romantic views of the medieval, ultimately calling for a re-definition of the concept of medievalism itself. Contributors include: Mette Bruun, Peter Damian-Grint, Anne-Marie De Gendt, Daphne Hoogenboezem, Tiphaine Karsenti, Joost Keizer, Waldemar Kowalski, Elena Lombardi, Coen Maas, Pieter Mannaerts, Christoph Pieper, Jacomien Prins, Adam Shear, Paul Smith, Martin Spies, Andrea Worm, and Aurélie Zygel-Basso.
Gog and Magog
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Micah
Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format ... will aid readers in their advancement toward God's vision of dignity, equality, and justice for all. - Book jacket.
Literary Variety and the Writing of History in Britain's Long Twelfth Century
A survey of the different literary forms adopted by history writers after the Conquest, exploring why and for what effects they were used. Histories of Britain composed during the "twelfth-century renaissance" display a remarkable amount of literary variety (Latin varietas). Furthermore, British historians writing after the Norman Conquest often draw attention to the differing forms of their texts. But why would historians of this period associate literary variety with the work of history-writing? Drawing on theories of literary variety found in classical and medieval rhetoric, this book traces how British writers came to believe that varietas could help them construct comprehensive, continu...
