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Paris was a Woman
Paris Was a Woman is an illustrated collective portrait of the unique community of women who became known as the "women of the left bank". Authors Colette, Djuna Barnes, and Gertrude Stein, poets H.D. and Natalie Clifford Barney, painters Romaine Brooks and Marie Laurencin, editors Bryher, Alice Toklas, Margaret Anderson, and Jane Heap, photographers Berenice Abbott and Gisele Freund, booksellers Sylvia Beach and Adrienne Monnier, and journalist Janet Flanner all figured in this legendary milieu. A wealth of photographs, paintings, drawings, and literary fragments, many previously unpublished, combine with Andrea Weiss's lively and revealing text to give an unparalleled insight into this extraordinary network of women for whom Paris was neither mistress nor muse, but a different kind of woman.
Vampires & Violets
A revelatory survey of lesbian identity in film--from the crossdressing stars like Garbo, Dietrich, and Hepburn to the vampire movies of the late '60s, Silkwood and The Color Purple. With wit and political acumen, Weiss reveals the concealed world of a host of movies both popular and forgotten.
The Torah
The groundbreaking volume The Torah: A Women's Commentary, originally published by URJ Press and Women of Reform Judaism, has been awarded the top prize in the oldest Jewish literary award program, the 2008 National Jewish Book Awards. A work of great import, the volume is the result of 14 years of planning, research, and fundraising. THE HISTORY: At the 39th Women of Reform Judaism Assembly in San Francisco, Cantor Sarah Sager challenged Women of Reform Judaism delegates to "imagine women feeling permitted, for the first time, feeling able, feeling legitimate in their study of Torah." WRJ accepted that challenge. The Torah: A Women's Commentary was introduced at the Union for Reform Judaism...
In the Shadow of the Magic Mountain
In this dual biography of Erika and Klaus Mann, the eldest children of German author Thomas Mann, Andrea Weiss offers a view of the literary and intellectual life, political turmoil, and shifting sexual mores of their time. The book starts with Erika and Klaus's childhood. The account of the make-believe world they created shows an early sign of their talents and of the intensity of their relationship. Both were writers, and performance artists. Erika was known as the founder of a political cabaret in pre-war Berlin. Other themes in the book are their artistic achievements under the shadow of a famous father, their homosexuality, the political commitment as anti-fascists in Nazi Germany, and the exile in the United States in World War II. Klaus later became a heroin addict and commited suicide in 1949.
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A Badge of Injury
A Badge of Injury is a contribution to both the fields of queer and global history. It analyses gay and lesbian transregional cultural communication networks from the 1970s to the 2000s, focusing on the importance of National Socialism, visual culture, and memory in the queer Atlantic. Provincializing Euro-American queer history, it illustrates how a history of concepts which encompasses the visual offers a greater depth of analysis of the transfer of ideas across regions than texts alone would offer. It also underlines how gay and lesbian history needs to be reframed under a queer lens and understood in a global perspective. Following the journey of the Pink Triangle and its many iterations, A Badge of Injury pinpoints the roles of cultural memory and power in the creation of gay and lesbian transregional narratives of pride or the construction of the historical queer subject. Beyond a success story, the book dives into some of the shortcomings of Euro-American queer history and the power of the negative, writing an emancipatory yet critical story of the era.
Authority Matters
In this wide ranging collection of essays, eleven literary scholars and creative writers examine authorship and authority in relation to the production and reception of cultural texts. Ranging in time from the Renaissance to the era of digital publishing, the essays invite us to reconsider the influential theories of Roland Barthes, Michel Foucault, and Pierre Bourdieu for our understanding of writers such as Philip Sidney, Thomas Hardy, Laura Riding, W.B. Yeats, Gertrude Stein, and J.M. Coetzee. Shedding new light on authority’s complex role in the generation of cultural meaning, the essays will be of interest to students and teachers of literary history and critical theory alike.
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A Theological Examination of Symbolism in Ezekiel with Emphasis on the Shepherd Metaphor
This book addresses one of the ever-aching problems of human society – failed leadership in secular and sacred domains. It points out, from Ezekiel’s use of symbolism and shepherd motif, what society stands to suffer and or lose under a bad human leadership structure and bad governance. This plays out in the book’s x-ray of the characteristics of sheep needing a shepherd. Dr. Biwul contends that Ezekiel used symbolic sign-acts to indict both Israel’s bad and imperfect human shepherds as well as the Babylonian exiles as being responsible for their plight for not upholding the norms of Deuteronomic theology. Particularly, he argues forcefully from Ezekiel’s shepherd motif that a majo...
