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Andrei Ostashov
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The Soviet Union and Europe in the Cold War, 1943-53
After the Cold War, its history must be reassessed as the opening of Soviet archives allows a much fuller understanding of the Russian dimension. These essays on the classic period of the Cold War (1945-53) use Soviet and Western sources to shed new light on Stalin's aims, objectives and actions; on Moscow's relations with both the Soviet Bloc and the West European Communist Parties; and on the diplomatic relations of Britain, France and Italy with the USSR. The contributors are prominent European, Russian and American specialists.
The Establishment Of Communist Regimes In Eastern Europe, 1944-1949
The collaborative effort of scholars from Russia and the United States, this book reevaluates the history of postwar Eastern Europe from 1944 to 1949, incorporating information gleaned from newly opened archives in Eastern Europe. For nearly five decades, the countries of Yugoslavia, Poland, Albania, Bulgaria, Romania, Hungary, Czechoslovakia, and the Soviet zone of Germany were forced to live behind the ?iron curtain.? Though their experiences under communism differed in sometimes fundamental ways and lasted no longer than a single generation, these nations were characterized by systematic assaults on individual rights and social institutions that profoundly shaped the character of Eastern ...
Judging Research
The 2019 MPDI Writing Prize invited early stage researchers who are not native English speakers to write on the subject of "how research should be evaluated and how researchers should be rewarded". Six prizes were awarded, however there were many more entries. This book collates many of those entries and contains inspiring, thought-provoking and original viewpoints of open science through the eyes of those conducting research on a daily basis.
Slovenská reč
None
Brechtian Cinemas
Explores the influence of Bertolt Brechts ideas on the practice and study of cinema. In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brechts concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brechts ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brechts own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillets History Lessons (1972), ...
