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Olesha's Envy
The novel Envy provides a humorous look at the individual's struggle with an increasingly industrialized society. This critical companion, edited by Rimgailia Salys, aims to acquaint readers with the history, biographical context, critical reception and interpretation problems related to the novel. It also helps the first time reader decipher some of the text's more difficult features, including its shifting narrators and fluid boundaries between dream and reality.
The Master & Margarita
This volume considers the Russian writer Bulgakov's work, The master and Margarita. It opens with the editor's general introduction, discussing the work in the context of the writer's oeuvre as well as its place within the Russian literary tradition. The introductory section also includes considerations of existing translations and of textual problems in the original Russian. The following sections contain several wide-ranging articles by other scholars, primary sources and background material such as letters, memoirs, early reviews and maps.
A Plot of Her Own
A Plot of Her Own presents compelling new readings of major texts in the Russian literary canon, all of which are readily available in translation. The female protagonists in the works examined are inextricably linked with the fundamental issues raised by the novels they inform; the interpretations offered strive not to be reductive or doctrinaire, not to be imposed from the outside but to arise from the texts themselves and the historical circumstances in which they were written. Authors discussed include Pushkin, Dostoevsky, Tolstoy, and Bulgakov, and the novels considered range from Fathers and Children to Zamyatin's anti-Utopian We. Throughout, the contributors new visions expand our understanding of the words and reveal new significance in them.
Bishop Asbury
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Spirit of the Totem
The book presents an original, interdisciplinary analysis of religious and mythological perspectives in fiction published in the Soviet Union between the mid-1960s and the mid-1980s. In doing so, it points to ways in which anthropological theory can be used as a framework for literary criticism. It also shows how, in the two decades before perestroika, religion and mythology served as alternative models for the intellectual and political reorientation of Soviet society. Selected works are explored with reference to a formative debate in anthropological studies on the nature and development of religion, based on Edward B. Tylor's theory of 'animism' and Emile Durkheim's theory of 'totemism'. ...
Visions and Re-visions
The former editor of Science Fiction Studies, Robert M. Philmus now casts his expert eye on a diverse range of short stories and novels by the premier creators of science fiction, including George Orwell, C. S. Lewis, and Ursula LeGuin. With essays on such masters of the genre as Stanislaw Lem, Kurt Vonnegut, and Philip K. Dick, the volume provides an in-depth textual examination of science fiction as a truly "revisionary" genre. Visions and Revisions will be of immense value to scholars of literature and science fiction studies.
Toxic Voices
Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.
Russia's Rome
A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome: Imperial Visions, Messianic Dreams, 1890–1940 provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state. Analyzing Rome-related texts by six writers—Dmitrii Merezhkovskii, Valerii Briusov, Aleksandr Blok, Viacheslav Ivanov, Mikhail Kuzmin, and Mikhail Bulgakov—Judith E. Kalb argues that the myth of Russia as the “Third Rome” was resurrected to create a Rome-based discourse of Russian national identity that endured even as the empire of the tsars declined and fell and a ...
