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The Story of Christian Music
An illustrated introduction to the history and practice of Christian music. The main body of the text goes through the whole vast panoply of Christian music's history. The book looks at music in the Orthodox tradition and in Africa, as well as music for worship in 20th-century Europe and America.
Autobiography of Andrew Dickson White
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
AUTOBIOG OF ANDREW DICKSON WHI
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
AUTOBIOG OF ANDREW DICKSON WHI
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The New Cambridge Companion to Shakespeare
Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.
A Brief History of Christian Music
Throughout the centuries, some of the most creative musical geniuses have produced works to be performed as part of the life of the Christian church. The result is a great wealth of hymns, anthems, oratorios and other sacred music, from which organists and choirmasters throughout the world draw the hymns and other music for worship today. How has this magnificent tapestry developed? And where does the relatively small part of the pattern with which each Christian tradition is familiar fit into the tremendous variety of the whole? These are among the questions addressed by Andrew Wilson-Dickson in this absorbing account, as he takes the reader through each period of European musical history, as well as the Orthodox tradition, the growing African scene, and the many-sided American picture - North and South.
