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Audio Effects
Audio Effects: Theory, Implementation and Application explores digital audio effects relevant to audio signal processing and music informatics. It supplies fundamental background information on digital signal processing, focusing on audio-specific aspects that constitute the building block on which audio effects are developed. The text integrates theory and practice, relating technical implementation to musical implications. It can be used to gain an understanding of the operation of existing audio effects or to create new ones. In addition to delivering detailed coverage of common (and unusual) audio effects, the book discusses current digital audio standards, most notably VST and AudioUnit. Source code is provided in C/C++ and implemented as audio effect plug-ins with accompanying sound samples. Each section of the book includes study questions, anecdotes from the history of music technology, and examples that offer valuable real-world insight, making this an ideal resource for researchers and for students moving directly into industry.
Historical Memoirs of the House and Clan of Mackintosh and of the Clan Chattan
Historical Memoirs of the House and Clan of Mackintosh and of the Clan Chattan by Alexander Mackintosh. Mackintosh, first published in 1880, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
King over the Water
About 1705, in the Caribbean the great powers compete for control of the riches of the new world, turning a blind eye to illegal activity which might harm their enemies. In distant Britain too, there is conflict between political and religious factions for the crown. In the midst of this near-anarchy, Will King, far from his Dorset home, follows the life of a real pirate but finds that he cannot escape from the forces at work in the wider world - though patterns can be discerned through the chaos.
The Cambridge Companion to Music in Digital Culture
Digital technology has profoundly transformed almost all aspects of musical culture. This book explains how and why.
Doing Educational Research
Thirteen major educationalists offer semi-autobiographical accounts of their own influential research work, focusing on the practical and personal realities of the research process. Authors such as Barbara Tizard and Martin Hughes, Stephen J. Ball, David Reynolds and Peter Mortimore discuss their approaches to aspects of research from conception and funding of the project to information gathering and analysis, writing up and publishing.
Understanding Scotland
Understanding Scotland has been recognised since publication as the key text on the sociology of Scotland. This wholly revised edition provides the first sustained study of post-devolution Scottish society. It contains new material on: * the establishment of the Scottish parliament in 1999 * social and political data from the 1997 general elections * the new cultural iconography of Scotland * Scotland as a European society. For anyone wishing to understand Scottish society in particular or the general issues involved in nation building, McCrone's clear-headed coherently argued account of the main issues will be essential reading.
Monitoring School Performance
This work evaluates methods of establishing and monitoring school systems either at the school, district, authority or state level from a theoretical and practical point of view. The analysis and interpretation of data on
Mixing Music
This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording musicians themselves, to provide a fully comprehensive analytic point-of-view on each component stage of record production. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record’s production, from pre-production through recording (audio engineering), mixing and mastering to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process. This book includes: References and citations to existing academic works; contributors draw new conclusions from their personal research, interviews, and experience. Models innovative methodological approaches to studying music production. Helps specify the term "record production," especially as it is currently used in the broader field of music production studies.
