Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Chicago Marathon
Received the Hal Higdon Journalism Award, recognizing serious journalism about running from the Chicago Area Runners Association (CARA, 2007). The first book-length study of the city’s great annual contest In The Chicago Marathon, Andrew Suozzo reveals this citywide ritual as far more than a simple race. Providing a full-spectrum look at the event’s production and participants, Suozzo shows how the elements that comprise the marathon also reflect modern Chicago’s politics, it’s people, and the ways the city engages with the wider world. The book encompasses all of the forces that come together to make the race the spectacle it has become today. Beginning with a brisk history of the m...
Philip Sparrow Tells All
Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared his considerable range of experiences with Alfred Kinsey, and a prolific writer of everything from scholarly articles to gay erotica (under the penname Phil Andros). Given this biography, he sounds like a most unlikely contributor to a trade magazine like the Illinois Dental Journal.
Sounding Like a No-No
Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corp...
The Other Heading
Like a navigator, Derrida sets out from a Europe that has always defined itself as the capital of culture, the headland of thought, in whose name and for whose benefit exploration of other lands, other peoples, and other ways of thinking has been carried out. If such Eurocentric biases are not to be repeated, Derrida warns, the question of Europe must be asked in a new way; it must be asked by recalling another heading. Not only is it necessary for Europe to be responsible for the other, but its own identity is actually constituted by the other. Rejecting the easy or programmatic solutions of Euruocentrism or anti-Eurocentrism, of total unification or complete dispersion, Derrida argues for the necessity of working with and from the Enlightenment values of liberal democracy while at the same time recalling that these values do not themselves ensure respect for the other.
Narrative Transformations from L'Astrée to Le Berger Extravagant
Though Honore d'Urfe/s L'Astree (1607-28) and Charles Sorel's Le berger extravagant (1627-28) use similar imagery of death, entombment, and renewal, Hinds (French language and literature, Indiana U.) argues that they use them to different ends. Indeed, he says, the latter is a parody of the first, and between them lies a watershed between romanticism and the reaction against it. Annotation copyrighted by Book News, Inc., Portland, OR
Running Times
Running Times magazine explores training, from the perspective of top athletes, coaches and scientists; rates and profiles elite runners; and provides stories and commentary reflecting the dedicated runner's worldview.
The French Review
None
Beginnings in French Literature
From the contents: R. Howard BLOCH: Eneas before the walls of Carthage: the beginnings of the city and romance in the suburbs. - Richard l. REGOSIN: Language and nation in 16th-Century France: the Arts poetiques. - Zahi ZALLOUA: Reading the Essais: Where does the critic begin? - Louise K. HOROWITZ: Honore d'Urfe: Bellwether beginnings. - Leonard HINDS: Paratext and framing narrative: techniques of skepticism in Le parasite mormon."
Chicago
None
How The Book of Mormon Came to Pass
Several explanations for the seemingly sudden appearance of The Book of Mormon in 1829 (first published in 1830) have been put forth by both historians and apologists alike. Each holds some value to its advocates while displaying obvious inconsistencies and unexplained features. However, significant new evidence necessitates the revision of all such authorship theories, including and especially the sole-authorship hypothesis—that Joseph Smith, Jr. (between the ages of twenty-two and twenty-three) single-handedly composed all the sentences in The Book of Mormon through creative writing, automatic writing, or inspired dictation. Neoteric observations reveal deliberately hidden details in Mor...
