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First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
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Of the several Huguenot establishments founded in the United States, that of New York is the first in date and, in most respects, the first in importance. The records in this work comprise the existing baptismal, marriage, and death records of the French Church of New York from 1688 to 1804, together with a few other records belonging to the New Rochelle "Annex." Although the records have not been translated into English, the language of the entries is so simple that even those who do not read French can easily understand it. The records of the church cover the important period of immigration after the Revocation of the Edict of Nantes in 1685. An extensive index contains every name in the records, including maiden names of the brides and names of witnesses, sponsors, parents, and pastors. This reprint is excerpted from "Collections of the Huguenot Society of America," Volume 1 (1886).
Presents a selection of important older literary criticism of selected works by William Wordsworth.
Focusing on the Paris book world of this period, Allen reveals how the rise of a new popular literature—jolly chansonniers, the roman-feuilletons or serial novels, melodramas, gothic and sentimental novels, dramatic nationalistic histories—by such authors as Dumas, Sand, Lamennais, Ancelot, Desnoyer, and de Kock coincided with remarkable developments in the production, distribution, and consumption of books. Allen's research ranges from a survey of the then-popular romantic titles and authors and the trade catalogs of booksellers and lending libraries, to the police records of their activities, diaries and journals of working people, and military conscript records and ministerial literacy statistics. The result is a remarkable picture of the exchange between elite and popular culture, the interaction between ideas and their material reality, and the relationship between the literature and the history of France in the romantic period.
Based upon the testimony of Thomas Carlyle, most biographers acknowledge that Wordsworth witnessed the beheading of the journalist Antoine Gorsas in October 1793 during the Reign of Terror. But they go no further. This study reads the Poet’s reactions to the Terror in passages from The Prelude as explicitly about his twenty-three-year-old-self witnessing the gory deaths of Gorsas and others, which caused post-traumatic stress disorder and its symptoms, exacerbated by guilt for abandoning his French lover and their child a year earlier. Following a chronological arc from October 1793, when the trauma began, until its conclusion in October 1803, when Wordsworth became a poet-soldier, I examine poetic works from The Borderers (1796), the “Discharged Soldier’ (1798), the Two-Part Prelude (1799), Home at Grasmere (1800), and the Liberty sonnets (1803), to follow the Poet working through anxiety, fear, and remorse to a resolution.
Arnold Geulincx (1624-1669) is a key figure in the history of ideas, whose concepts have been seen as precursors to those developed by Spinoza, Malebranche, Leibniz and Kant. His Ethics presents a treatment of virtue from the standpoint of occasionalist metaphysics. The great Irish writer Samuel Beckett stated that Geulincx, with his emphasis on the powerlessness and ignorance of the human condition, was a key influence on his works. This is the first complete version of the text to appear in a modern language. It includes the full text of the Ethics and Beckett’s notes to his reading of Geulincx. Shedding new light on important moments of intellectual history, it is a major event for students of philosophy and literature. Brill's Texts and Sources in Intellectual History, vol. 1