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Occult Aesthetics
Table of Contents 1. Introduction: The Lock of Synchronization 2. Synchronization: McGurk and Beyond 3. Sound Montage 4. Occult Aesthetics 5. Isomorphic Cadences: Film as 'Musical' 6. 'Visual' Sound Design: the Sonic Continuum 7. 'Pre' and 'Post' Sound 8. Wildtrack Asynchrony 9. Conclusion: Final Speculations Bibliography Index.
Adaptation and the Avant-Garde
Providing a fresh angle on adaptation studies, this study looks at how avant-garde directors and filmmakers have treated literary works in distinct ways.
The Quay Brothers
The complex, special power of the Quay Brothers' puppet animation poetics.
Bruno Schulz: An Artist, a Murder, and the Hijacking of History
Winner of the 73rd National Jewish Book Award for Biography A New York Times Book Review Editors' Choice A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the a...
Anti-Tales
The anti-(fairy) tale has long existed in the shadow of the traditional fairy tale as its flipside or evil twin. According to André Jolles in Einfache Formen (1930), such Antimärchen are contemporaneous with some of the earliest known oral variants of familiar tales. While fairy tales are generally characterised by a “spirit of optimism” (Tolkien) the anti-tale offers us no such assurances; for every “happily ever after,” there is a dissenting “they all died horribly.” The anti-tale is, however, rarely an outright opposition to the traditional form itself. Inasmuch as the anti-hero is not a villain, but may possess attributes of the hero, the anti-tale appropriates aspects of t...
These people are Hidden Heroes?
These people are Hidden Heroes? by Karl Lawrence aka T.O.L War is brought to American soil when the military is put in place to deal with a hostile nation. The country ignored the warnings about the invasion and is caught off-guard when it happens, the strength of the military is caught abroad and the world Mercenary force has set up blockades to make war against the American force trying to return home. The guards and military that are left are no match for the highly trained mercenary pirates, but their arrogance causes them to make a big invasion losing mistake. Areas known as the Hoods are organized and trained as the TRIBE: The true purpose of Gangs, Thugs, Hustlers, Chicken heads and ratchet Hood Rats is revealed to the world. These People are Hidden Heroes? The protectors of the country against the mad men of the world. Yeah and it’s like dat! America we can be your greatest Ally or your worst enemy... it’s your choice.
The Statesman's Yearbook 2006
For one hundred and forty two years The Statesman's Yearbook has been relied upon to provide accurate and comprehensive information on the current, political, economic and social status of every country in the world. The 2006 edition is fully updated and contains more information than ever before. A foldout colour section provides a political world map and flags for the one hundred and ninety two countries of the world. In an endlessly changing world the annual publication of The Statesman's Yearbook gives you all of the information you need in one easily digestible single volume. It will save hours of research and cross-referencing between different sources, and it is an essential annual purchase.
The Cinematic Footprint
Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
Imaging Religion in Film
This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There .
