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The Snow Was All We Could See
Stepping into a different mood, The Snow Was All We Could See is the third co-written book by Manchester poets / writers and married couple, Amanda Steel and Andy N, the authors of Run Away with Me in Seven Words, and The Lockdown Was All We Could See. While both books portrayed different lyrical journeys of life, loss and love - The Snow Was All We Could See is a continuation of the previous journeys, and takes the readers through lockdown into winter, examining the changes in their lives since The Lockdown Was All We Could See. This book contains a series of poems, prose and flash fiction; from observing the isolation of winter in a way they hadn't seen before, and memories (some true) told in flash fiction of adventures and feelings experienced in previous years, perhaps lost forever. This book is as much a love letter to winter and how times have changed, as much as what happens next, to those willing to venture outdoors. This invigorating short collection will hold your hand and make you think and smile across this magical season, sometimes in the same piece.
From the Shadows
In this Printed Words anthology, the lines merge between crime and horror, fiction and poetry. So, you'll be kept guessing whether the villain is human or monster. Sometimes, the worst monsters are those who pass as human. Thanks to the authors: Jack Horner, Rosie Cullen, Amanda-Jane Bayliss, Yaqub Abdullahi, Jennifer Crow, Chloe Allen, Richard Harries, Michael Thame, Roz Ottery, Maria Byrne, Andrew Scott, Charles Robertson, Dorinda MacDowell, Amanda Steel, Nigel Astell, Stephen Oliver, Juleigh Howard-Hobson, Christy Vincent, John Grey, John Ward, Kara Blackwood, Gary S. Watkins, Lynn White, Lena Ng, Andy N, Tony Domaille, Daragh Kennedy, Miriam H. Harrison, Harry Hawke, LaVern Spencer McCarthy, Zoë Sîobhan Howarth-Lowe.
Words to Remember
In the first charity anthology from Printed Words, 43 writers from across the UK share their fiction, creative non-fiction and poetry. Some pieces are related to cancer and/or loss, while others provide a moment of relief from the subject. All profits from this anthology will be donated to several cancer charities. Many thanks to all our writers: Bridie Breen, Mark Heathcote, Emma Lee, Amanda Steel, Alan Parry, Fokkina McDonnell, John Wilmington, Georgie Bull, Anthony Smith, Julie Tsiricos, Ilaria Passeri, Andy N, Pete Slater, Tony Domaille, Andrew Hems, Ruth O'Reilly, Nigel Astell, Elaine Cropper, Pixievic, Neil Leadbeater, Katie Haigh, Melissa Walters, Trev Wainwright, Vanessa Horn, DrayZera, Lauren Foster, cath Holland, Andy Eycott, Jacquee Storozynski, Roger Hart, Linda Quinn, Sarra Culleno, Jen Elvy, Jo Flynn, Colin Johnson, Sarah Drury, Natalie Crick, Susan Bowman, Sam Palmer, Roz Ottery, Debz butler, Michelle Rice, Icarus Williams
the streets were all we could see
Stepping away into the shadows, The Streets were all we could see is the fourth full-length poetry collection by Andy N, author of most recently 'The End of Summer' and 'The Birth of Autumn' walking away at least temporarily from seasonal mysteries into tiny almost flash fiction pieces masked as poems. Told almost as tiny murmurs, each of the poems contained within this book are told not as a sequel to either of his seasonal books but a grasping of emotions in the most tiny fragments of life from chasing goodbyes on front doorsteps to abandoned bicycles outside shopfront windows and cars dying when you least expect. The streets were all could see explores life through a different lens like a picture catching a memory before memory distorts it taking you a transformative journey from the good and the bad moments and everything that flows in-between it
Make Room! Make Room!
A detective hunts down a killer in a dystopian, overpopulated NYC in this classic science fiction novel that inspired the film Soylent Green. Originally published in 1966, Make Room! Make Room! imagines a world at the end of the twentieth century where Earth is so overwhelmed by rampant population growth that it teeters on the edge of self-destruction. In New York City alone, thirty-five million people are squeezed into its packed boroughs, scrambling like rats for the world’s dwindling resources. The only food available is a product called soylent. And while the government tries to maintain order, the rich get richer and the poor stay underfoot. Finding a killer in this broken world is one hell of a job. But that’s exactly what Det. Andy Rusch has been assigned to do. If he can stay alive long enough, he might just solve the biggest case he’s ever been on—unless humanity finally fulfills its promise and destroys itself first.
Re-examining the UK Newspaper Industry
This book dispels myths surrounding the newspaper industry’s financial viability in an online world, arguing that widespread predictions of pending newspaper extinction are based mostly on misunderstandings of the industry’s operations. Drawing from his training as a business journalist, Marc Edge undertakes a thorough analysis of annual financial statements provided by newspaper companies themselves to explain the industry’s arcane economics. This book contextualizes available data within the historical context in which various news publishers operate and outlines the economic history of UK newspapers. It also investigates how UK newspapers survived the 2008–09 recession, considering both national and provincial markets separately. A rigorous look at an often-neglected aspect of the newspaper industry, this volume will be an essential read for scholars of media studies, journalism studies, and communication studies, especially those interested in studying journalism and news production as occupational identities.
