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The Snow Was All We Could See
Stepping into a different mood, The Snow Was All We Could See is the third co-written book by Manchester poets / writers and married couple, Amanda Steel and Andy N, the authors of Run Away with Me in Seven Words, and The Lockdown Was All We Could See. While both books portrayed different lyrical journeys of life, loss and love - The Snow Was All We Could See is a continuation of the previous journeys, and takes the readers through lockdown into winter, examining the changes in their lives since The Lockdown Was All We Could See. This book contains a series of poems, prose and flash fiction; from observing the isolation of winter in a way they hadn't seen before, and memories (some true) told in flash fiction of adventures and feelings experienced in previous years, perhaps lost forever. This book is as much a love letter to winter and how times have changed, as much as what happens next, to those willing to venture outdoors. This invigorating short collection will hold your hand and make you think and smile across this magical season, sometimes in the same piece.
From the Shadows
In this Printed Words anthology, the lines merge between crime and horror, fiction and poetry. So, you'll be kept guessing whether the villain is human or monster. Sometimes, the worst monsters are those who pass as human. Thanks to the authors: Jack Horner, Rosie Cullen, Amanda-Jane Bayliss, Yaqub Abdullahi, Jennifer Crow, Chloe Allen, Richard Harries, Michael Thame, Roz Ottery, Maria Byrne, Andrew Scott, Charles Robertson, Dorinda MacDowell, Amanda Steel, Nigel Astell, Stephen Oliver, Juleigh Howard-Hobson, Christy Vincent, John Grey, John Ward, Kara Blackwood, Gary S. Watkins, Lynn White, Lena Ng, Andy N, Tony Domaille, Daragh Kennedy, Miriam H. Harrison, Harry Hawke, LaVern Spencer McCarthy, Zoë Sîobhan Howarth-Lowe.
Words to Remember
In the first charity anthology from Printed Words, 43 writers from across the UK share their fiction, creative non-fiction and poetry. Some pieces are related to cancer and/or loss, while others provide a moment of relief from the subject. All profits from this anthology will be donated to several cancer charities. Many thanks to all our writers: Bridie Breen, Mark Heathcote, Emma Lee, Amanda Steel, Alan Parry, Fokkina McDonnell, John Wilmington, Georgie Bull, Anthony Smith, Julie Tsiricos, Ilaria Passeri, Andy N, Pete Slater, Tony Domaille, Andrew Hems, Ruth O'Reilly, Nigel Astell, Elaine Cropper, Pixievic, Neil Leadbeater, Katie Haigh, Melissa Walters, Trev Wainwright, Vanessa Horn, DrayZera, Lauren Foster, cath Holland, Andy Eycott, Jacquee Storozynski, Roger Hart, Linda Quinn, Sarra Culleno, Jen Elvy, Jo Flynn, Colin Johnson, Sarah Drury, Natalie Crick, Susan Bowman, Sam Palmer, Roz Ottery, Debz butler, Michelle Rice, Icarus Williams
the streets were all we could see
Stepping away into the shadows, The Streets were all we could see is the fourth full-length poetry collection by Andy N, author of most recently 'The End of Summer' and 'The Birth of Autumn' walking away at least temporarily from seasonal mysteries into tiny almost flash fiction pieces masked as poems. Told almost as tiny murmurs, each of the poems contained within this book are told not as a sequel to either of his seasonal books but a grasping of emotions in the most tiny fragments of life from chasing goodbyes on front doorsteps to abandoned bicycles outside shopfront windows and cars dying when you least expect. The streets were all could see explores life through a different lens like a picture catching a memory before memory distorts it taking you a transformative journey from the good and the bad moments and everything that flows in-between it
Winfield's Walnut Valley Festival
Local historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history. The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin' as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.
