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Practices of Projection
To many, the technological aspects of projection often go unnoticed, only brought to attention during moments of crisis or malfunction. For example, when a movie theater projector falters, the audience suddenly looks toward the back of the theater to see a sign of mechanical failure. The history of cinema similarly shows that the attention to projection has been most focused when the whole medium is hanging in suspension. During Hollywood's economic consolidation in the '30s, projection defined the ways that sync-sound technologies could be deployed within the medium. Most recently, the digitization of cinema repeated this process as technology was reworked to facilitate mobility. These exam...
Digital Echoes
This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.
"Landscape Imagery, Politics, and Identity in a Divided Germany, 1968?989 "
Landscape Imagery, Politics and Identity in a Divided Germany, 1968-1989 explores the communicative relationship between German landscape painting and the viewing public that developed in the wake of the student revolutions of the late 1960s. The book demonstrates that, contrary to some historical thinking, more similarities than differences characterized the sociopolitical concerns of East and West Germans during the late Cold War Era, and that it was these shared issues that were reflected in the revival of the Romantic painting genre. Catherine Wilkins focuses on recovering the agency of the individual artist and in revising historiography with sensitivity to narration 'from below.' Inter...
展覽電影
作者簡介 董冰峰 董冰峰是一位居住在北京的策展人、製作人，現為中國美術學院跨媒體藝術學院研究員。 從2005 年至今，先後為廣東美術館和尤倫斯當代藝術中心的策展人，伊比利亞當代藝術中心副館長、栗憲庭電影基金藝術總監 和OCAT研究中心(OCAT Institute)學術總監兼研究出版部主任。2008 年至2012 年，他還是《藝術與投資》&《當代藝術與投資》、《ART IN CHINA》、《獨立評論》四本刊物的主編。 出品人簡介 CCAA中國當代藝術獎 CCAA中國當代藝術獎由烏利‧希克先生于1997年創辦，在中國北京和瑞士琉森常設辦公機構及文獻庫，主席為劉栗溧女士。作為中國歷史最久的重要當代藝術學術獎項，CCAA一直努力保持「公平、獨立、學術」的評選原則，鼓勵在藝術創作中表現優異的中國藝術家及藝術評論人。
Reality Bites
Catalog of an exhibition with the same title, held Feb 9-April 29, 2007 at the Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., and May20-Sept. 2, 2007 at the Opelvillen, Russelsheim, Germany.
Kritische Wege zur Moderne
Ihrem Lehrer zu Ehren, verfolgen Schüler Dietrich Schuberts in dieser persönlichen Festgabe auf über 300 Seiten Fragen zur Kunst. Der Bogen spannt sich von politischen und existenzialistischen Themen bis hin zu Betrachtungen von künstlerischen Selbstdarstellungen. Arbeiten von Rembrandt und Odilon Redon werden einer Werkanalyse unterzogen, das Schaffen von Otto Dix, Alfred Hrdlicka, Karl Hofer, Ernst Ludwig Kirchner, Edward Kienholz u. a. wird im Fokus von Abstraktion und Realismus betrachtet. Daneben finden sich Überlegungen zupolitischen Denkmalskonzepten und Sammlungsstrategien im20. Jahrhundert.Mit ihren Beiträgen stellen die Autoren ein breites Spektrumrealistischen Kunstschaffens...
Adrian Ghenie
Monograph on Romanian painter Adrian Ghenie featuring seventy key works from the last four years. While Ghenie continues to explore the darker moments of European history, his compositions have become conspicuously more complex over the years as he has turned increasingly toward a brighter and more colorful palette, masterfully shifting between graphicness and abstraction.
Rachel Maclean
Multicolored,??jarring,? and?always over the top? aptly describe the worlds created by the Scottish multimedia artist Rachel Maclean. Her films are full of oddly exaggerated characters living in fantasy worlds. Wearing elaborate costumes and makeup, the artist plays most of the roles herself. Rachel Maclean?s work subsists on ingenious allusions to fairy tales and fables. Her brilliant and scathing contemporary satires are directed at themes such as nationalism or feminism. They combine historical settings with an incisive, amusing view of modern lifestyles in a digital space that shifts back and forth between harmony and horror. Accompanying the brightly colorful materials of her latest artwork are five essays by Anette Hüsch, Matthew Shaul, Nina Power, Joshua Paul Dale, and Muriel Meyer, which present insightful views of Maclean?s oeuvre.00Exhibition: Kunsthalle zu Kiel, Germany (15.02.24.05.2020).
Rachel Maclean
"Multicolored," "jarring," and "always over the top" aptly describe the worlds created by the Scottish multimedia artist Rachal Maclean. Her films are full of oddly exaggerated characters living in fantasy worlds. Wearing elaborate costumes and makeup, the artist plays most of the roles herself. Rachel Maclean's work subsists on ingenious allusions to fairy tales and fables. Her brilliant and scathing contemporary satires are directed at themes such as nationalism or feminism. They combine historical settings with an incisive, amusing view of modern lifestyles in a digital space that shifts back and forth between harmony and horror. Accompanying the brightly colorful materials of her latest artwork are five essays by Anette Hüsch, Matthew Shaul, Nina Power, Joshua Paul Dale, and Muriel Meyer, which present insightful views of Maclean's oeuvre.
The Art of Arts
There was a time, five hundred years ago, when science was regarded as an art, and art as a science. And in the contest between the senses, the ear, through which we had previously received all knowledge and the word of God, was conquered by the eye, which would henceforth be king. A new breed of painters aimed to reconcile the world of the senses with that of the mind, and their goal was to conceal themselves in the details and vanish away, like God. A new way of perceiving was born. Anita Albus describes the birth and evolution of trompe-l'oeil painting in oils in the fifteenth, sixteenth, and seventeenth centuries, focusing her attention on works by northern European artists--both major a...
