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Judy Taylor married the first man who asked her. She lives in the neighbourhood where she spent her uneventful childhood. She still has the same friends she first met in primary school. But everything she once knew is about to be turned upside down. Judy might be ready to start a new life in vibrant Edinburgh, if she's prepared to accept what it means to change. First she has to ask herself if it's ever too late to make up for lost time. The Emergence of Judy Taylor is a story about first loves and second chances. It's about love and life and sex and starlings. It's about Judy and Oliver and Paul and Fabiana and Rob and Min and Lily and Harry and a French siren called Isabella.
THE DARING NEW NOVEL FROM THE AUTHOR OF THE EMERGENCE OF JUDY TAYLOR When Mark Darling is fifteen years old, he is the golden boy, captain of the school football team, admired by all who know him. Until he kills his best friend in a freak accident. He spends the next decade drifting between the therapy couch and dead-end pursuits. Then along comes Sadie. A mender by nature, she tries her best to fix him, and has enough energy to carry them both through the next few years. One evening, Mark bumps into an old schoolfriend, Ruby. She saw the accident first hand. He is pulled towards her by a force stronger than logic: the universal need to reconcile one's childhood wounds. This is his chance to, once again, feel the enveloping warmth of unconditional love. But can he leave behind the woman who rescued him from the pit of despair, the wife he loves? His unborn child? This is a story about how childhood experience can profoundly impact how we behave as adults. It's a story about betrayal, infidelity and how we often blinker ourselves to see a version of the truth that is more palatable to us.
Through oral and written narratives, this book examines the interaction between women and the war in Spain, their motivation, the distinctive form of their involvment and the effect of the war on their individual lives. These themes are related to wider issues, such as the nature of memory and the role of women within the public sphere. The extent to which women engaged with this cause surpasses by far other instances of female mobilization in peace-time Britain. Such a phenomenon therefore can offer lessons to those who would wish to encourage a greater degree of interest amongst women in political activities today.
Story of Magdalena Grace, from her time at the racially exclusive atmosphere of fictional Eden University to the black neighborhoods of a midwestern city to her ancestral Mississippi.
Winner of the Carl Sandburg Award for Poetry Angela Jackson brings her remarkable linguistic and poetic gifts to the articulation of African-American experience. The recurrent motif of the spider, which she presents as both creator and predator, demonstrates her deliberate reshaping of myth in the context of contemporary human experience. Informed by African-American speech and poetic traditions, yet uniquely her own, these poems display Jackson's stylistic grace, her exuberance and vitality of spirit, and her emotional sensitivity and psychological insight.
Angela Jackson returns with a collage of poems that draw on storytelling, the history of the Chicago Black Arts Movement, and a beautiful reinterpretation of Hausa folklore.
As Angela Jackson has developed as a poet, her poetry has engaged various artistic perspectives, yet always maintains a characteristic combination of compassion, grace, and daring. Jackson moves with ease from the personal to the historical--filled alternately with wonder, righteous anger, tenderness, and a tangible intensity. Her verse is rich and passionate and brimming with poetic surprises.
Frida Stewart (m. Knight) wrote Firing a Shot for Freedom in the early 1940s when her experiences in Spain's civil war and passionate belief in the Republican cause were very recent memories, fresh with hope, raw with regret. Vividly capturing the spirit of the times in each chapter, her escape from an internment camp in France during the Second World War, helped by the French Resistance, is described with a particularly tense detailed recall. Frida's own developing political feelings are placed within a rich historical context, mapping out the path she took from her roots in the philanthropic traditions found in drawing-rooms of the Cambridge intelligentsia to her arrival at a steadfast commitment to the ideals of socialism. The Afterword is based Angela Jackson's oral history interviews with Frida, together with material from her extensive collection of personal papers. It explores the fifty years Frida spent campaigning for causes after the memoirs end and offers insights into her indomitable character.
We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.
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