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We Are What We Mourn
The first book on the Canadian poetic elegy challenges all previous ideas about the purpose of mourning.
That's Raven Talk
Annotation A reading strategy for orality in North American Indigenous literatures that is grounded in Indigenous linquistic traditions.
The Canadian Modernists Meet
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of t...
Progressive Heritage
Most critics and literary historians have ignored Marxist-inspired creative literature in Canada, or dismissed it as an ephemeral phenomenon of the 1930s. Research reveals, however, that from the 1920s onward Canadian creative writers influenced by Marxist ideas have produced a quantitatively substantial and artistically significant body of poetry, drama, fiction, and non-fiction. This book traces historically and evaluates critically this tradition, with particular emphasis on writers who were associated with, or sympathetic to, the Communist Party of Canada. After two chapters surveying the work of anti-capitalist writers of the nineteenth and early twentieth centuries, the book concentrat...
Of Sunken Islands and Pestilence
Edward Taylor Fletcher was born in England in 1817 and arrived in Canada as a young boy. An important figure in Canadian literature, Fletcher’s writing was almost entirely forgotten by history. In this volume, James Gifford has gathered and annotated Fletcher’s essays and poems, writings that describe a nineteenth-century Canadian cultural life far more cosmopolitan than what we might have imagined. Fletcher was a voracious reader of works in many languages and although he was oriented toward Britain, his writing notably reflects a gaze fixed on a horizon much further away. His work therefore stands in contrast to the tendency of later Canadian writers, who focus inward on the nation, and on issues of Canadian identity. His work as a surveyor allowed him to travel across the country, observing the Canadian landscape which appears interwoven with different literary traditions in his metrically complex poetry. By recuperating Fletcher’s works, Gifford expands our view of nineteenth-century Canadian literature and establishes Fletcher as a remarkable literary figure worthy of attention.
Echoing Silence
The North has always had, and still has, an irresistible attraction. This fascination is made up of a mixture of perspectives, among these, the various explorations of the Arctic itself and the Inuk cultural heritage found in the elders' and contemporary stories. This book discusses the different generations of explorers and writers and illustrates how the sounds of a landscape are inseparable from the stories of its inhabitants. Published in English.
From Cohen to Carson
From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rae argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels.
Robertson Davies
This collection of essays on the writing of Robertson Davies addresses the basic problems in reading his work by looking at the topics of doubling, disguise, irony, paradox, and dwelling in "gaps" or spaces "in between." The essays present new insights on a broad range of topics in Davies oeuvre and represent one of the first major discussions devoted to Davies' work since his death in 1995. Publishled in English.
Re: Reading the Postmodern
Bringing together many of the country's most significant critics, including several of the originators of postmodern thought in Canada, this book marks a first step towards a history of Canadian postmodernism, exploring the development of the idea of the postmodern, debates about its meaning and its applicability to various genres of Canadian writing, and charting its decline in recent years as a favoured critical trope.--[book cover].
Asian Canadian Writing Beyond Autoethnography
"Asian Canadian Writing beyond Autoethnography explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. While earlier work by ethnic, multicultural, or minority writers in Canada was often concerned with immigration, the moment of arrival, issues of assimilation, and conflicts between generations, literary and cultural production in the new millennium no longer focuses solely on the conflict between the Old World and the New or the clashes between culture of origin and adopted culture. No longer are minority authors identifying simply with their ethnic or racial cultural background in opposition to dominant culture." "The essays in this collection explore ways in which Asian Canadian authors and artists have gone beyond what Francoise Lionnet calls autoethnography, or ethnographic autobiography. They demonstrate the ways representations of race and ethnicity, particularly in works by Asian Canadians in the last decade, have changed--have become more playful, untraditional, aesthetically and ideologically transgressive, and exciting."--Jacket.
