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Institutes of Ecclesiastical History
  • Language: en
  • Pages: 586

Institutes of Ecclesiastical History

  • Type: Book
  • -
  • Published: 1832
  • -
  • Publisher: Unknown

None

Institutes of Ecclesiastical History, Ancient and Modern
  • Language: en
  • Pages: 484

Institutes of Ecclesiastical History, Ancient and Modern

  • Type: Book
  • -
  • Published: 1849
  • -
  • Publisher: Unknown

None

Institutes of ecclesiastical history ancient and modern
  • Language: en
  • Pages: 490

Institutes of ecclesiastical history ancient and modern

Reprint of the original, first published in 1871.

Britannia After the Romans
  • Language: en
  • Pages: 178

Britannia After the Romans

  • Type: Book
  • -
  • Published: 1841
  • -
  • Publisher: Unknown

None

Institutes of Ecclesiastical History, Ancient and Modern: Medieval period
  • Language: en
  • Pages: 756

Institutes of Ecclesiastical History, Ancient and Modern: Medieval period

  • Type: Book
  • -
  • Published: 1841
  • -
  • Publisher: Unknown

None

Agriculture and Population the Truest Proofs of the Welfare of the People, Or, An Essay on Public Happiness
  • Language: en
  • Pages: 504
Essays on Historic Subjects, etc
  • Language: en
  • Pages: 914

Essays on Historic Subjects, etc

  • Type: Book
  • -
  • Published: 1790
  • -
  • Publisher: Unknown

None

Women on the Stage in Early Modern France
  • Language: en

Women on the Stage in Early Modern France

Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande Béjart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.