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The People's War
The Second World War was, for Britain, a 'total war'; no section of society remained untouched by military conscription, air raids, the shipping crisis and the war economy. In this comprehensive and engrossing narrative Angus Calder presents not only the great events and leading figures but also the oddities and banalities of daily life on the Home Front, and in particular the parts played by ordinary people: air raid wardens and Home Guards, factory workers and farmers, housewives and pacifists. Above all this revisionist and important work reveals how, in those six years, the British people came closer to discarding their social conventions than at any time since Cromwell's republic. Winner of the John Llewellyn Rhys prize in 1970, The People’s War draws on oral testimony and a mass of neglected social documentation to question the popularised image of national unity in the fight for victory.
The Myth Of The Blitz
The Myth of the Blitz was nurtured at every level of society. It rested upon the assumed invincibility of an island race distinguished by good humour, understatement and the ability to pluck victory from the jaws of defeat by team work, improvisation and muddling through. In fact, in many ways, the Blitz was not like that. Sixty-thousand people were conscientious objectors; a quarter of London's population fled to the country; Churchill and the royal family were booed while touring the aftermath of air-raids; Britain was not bombed into classless democracy. Angus Calder provides a compelling examination of the events of 1940 and 1941 - when Britain 'stood alone' against the Luftwaffe - and of the Myth which sustained her 'finest hour'.
Disasters and Heroes
Images of war and its commemoration are an everyday presence in contemporary culture, from the embedded reporter in the field to the Last Post at the Menin Gate. Disasters and Heroes: On War, Memory and Representation revisits campaigns from the plains of Troy to recent events in the Balkans, examining how wars are represented and remembered. Angus Calder shows how the 'facts'of war are transformed into myths that condition later responses to war, and how the construction of memory begins with wartime events themselves. Beginning with a section devoted to war memorials and the public remembrance of war, such as D-Day commemorations, the essays collected in Disasters and Heroes then look at the lived experience of war for 'ordinary' people, while the final section deals with literary representation of war, from The Iliad to T.E. Lawrence and on to Christa Wolf's Cassandra. Disasters and Heroes is a thought-provoking collection dealing with issues of major significance which recent events have made painfully topical.
Scotlands of the Mind
This is a journey through many possible Scotlands - fictionalised, idealised, and politicised. This perceptive and often highly personal writing shows the sope of Calder's analytical power.
Revolutionary Empire
This is the story of the early phases of English and British expansion throughout the world. Calder interweaves English, Irish, Scottish and colonial events into a single pattern. He concerns himself with social and intellectual history, as well as with political and economic developments.
Disasters and Heroes
Images of war and its commemoration are an everyday presence in contemporary culture, from the embedded reporter in the field to the Last Post at the Menin Gate. Disasters and Heroes: On War, Memory and Representation revisits campaigns from the plains of Troy to recent events in the Balkans, examining how wars are represented and remembered. Angus Calder shows how the 'facts'of war are transformed into myths that condition later responses to war, and how the construction of memory begins with wartime events themselves. Beginning with a section devoted to war memorials and the public remembrance of war, such as D-Day commemorations, the essays collected in Disasters and Heroes then look at the lived experience of war for 'ordinary' people, while the final section deals with literary representation of war, from The Iliad to T.E. Lawrence and on to Christa Wolf's Cassandra. Disasters and Heroes is a thought-provoking collection dealing with issues of major significance which recent events have made painfully topical.
Gods, Mongrels and Demons
A quirky and riveting anthology of 101 alternative essential lives. Oddballs, tinks, heidbangers, saints, keelies, nutters, philosophers and freaks, these marginal lives are not only interesting in their own right but often tell us a lot about a country or a period in time.
Which People's War?
Which People's War? examines how national belonging, or British national identity, was envisaged in the public culture of the World War II home front. Using materials from newspapers, magazines, films, novels, diaries, letters, and all sorts of public documents, it explores such questions as: who was included as 'British' and what did it mean to be British? How did the British describe themselves as a singular people, and what were the consequences of those depictions? It also examines the several meanings of citizenship elaborated in various discussions concerning the British nation at war. This investigation of the powerful constructions of national identity and understandings of citizenship circulating in Britain during the Second World War exposes their multiple and contradictory consequences at the time. It reveals the fragility of any singular conception of 'Britishness' even during a war that involved the total mobilization of the country's citizenry and cost 400,000 British civilian lives.
