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A brother and sister visit the unique crater lake that their dead, estranged mother had written to them about in her letters. A middle-class executive’s orderly life turns upside down when his employer holds back his pay cheque without explanation. The employees of a forgotten outpost in a sun-baked town threaten mass suicide because they have no hope of survival. Seventeen is a collection of short stories from Anita Agnihotri’s vast oeuvre. By turn, intense, bitter, angry, sad and torn apart by conflict, the stories bring out different faces of human hardship, and explore a country that is still unknown to many. Set in metros and villages, in small-town India and international suburbia, Agnihotri’s stories run the gamut of experiences both everyday and extraordinary. This is literary craftsmanship at its best. Published by Zubaan.
Set in the forests of northern Odisha, Mahuldia Days is the moving story of a young civil servant caught between her commitment to the tribal communities she knows are the original inhabitants of the forest, and the monolithic state, oblivious to the diverse realities of life on the ground. The moonlit Brahmani river snakes through the story with a life of its own while the city of the narrator’s childhood returns to her in dreams. Agnihotri creates a poignant, intense narrative layered with an awareness of the pressures of motherhood and personal love. Praise for Anita Agnihotri: “Agnihotri draws you in with her well fleshed out characters. Their dreams, idiosyncrasies and disappointments are all too real; as are their failures.” — Aparna Singh, Women’s Web “Urgently told and precise in their direction... Each story crackles with intensity and purpose.” — Mike McClelland, Spectrum Culture “[Anita Agnihotri] sensitively and beautifully chronicles the plight of a major chunk of the country’s population.” — Abdullah Khan, The Hindu
Arjun is not a potter by birth. He is a low caste cobbler but he is determined to succeed in his chosen profession which deals with clay and straw instead of leather. Through Arjun’s struggle, the author explores caste and class discrimination that continues to plague society in contemporary India. The story unfolds against the backdrop of the violence of the Naxal movement of the 1960s and ’70s that wiped out an entire generation of Bengal’s youth. Anita Agnihotri sensitively handles a difficult subject and interweaves these two struggles: the one of the idol maker and the other of the families of the young Naxalite revolutionaries whom the state destroyed. Published by Zubaan.
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This Volume Contains Translations Of Selected Prose Writings By Anita Agnihotri Originally Written In Bengali Between 1992-96.
Mahatma Gandhi to Dandi, and become a part of the historic violation of the Salt Act in British India. This is, of course, unrecorded by history. He was an Agariya, one of the salt-harvesters in the Rann of Kutch. Today, the Agariyas working in the salt pans have no water, homes or schools for their children. They are being squeezed out by the law that has identified the entire Rann as reserved forest for wild asses. Tribhuban’s grandson Azad has no choice but to take up the fight for salt against the establishment once more, this time in an independent India. A Touch of Salt is the story of Tribhuban and Azad, of Mohandas and Kasturba, of Malati and Vishnuram, of the multitude of Agariyas, countless lives lived, lost, and buried in salt and sand.
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and...
Women and the word marginalization have never remained oxymoronic – the cross-cultural texts and Engels interest on subjugation make a perfect recipe for this incongruity. Multicultural and Marginalized Voices of Postcolonial Literature traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections. The fourteen chapters relate key literary and cultural texts and cover a broad spectrum of historical, linguistic and theoretical issues. There are three sections in the book – section I has four chapters, dealing specifically theoretical constructions and representations. Section II consists of four chapters that offer varied spectrum of discourses on world literature, intersecting with the frameworks of literary theories. Section III comprises six chapters that explore the mind of dalits, subalterns, colonial women and gender issues of a variety of Indian English Writers and draw varied perspectives of it.
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Infrastructure development projects are set to continue into the next century as developing country governments seek to manage population growth, urbanization and industrialization. The contributions in this volume raise many questions about 'development' and 'progress' in the late twentieth century. What is revealed are the enormous problems and disastrous affects which continue to accompany displacement operations in many countries, which raise the ever more urgent question of whether the benefits of infrastructure development justify or outweigh the pain of the radical disruption of peoples lives, exacerbated by the fact that, with some notable exceptions, there has been a lack of official recognition on the part of governments and international agencies that development-induced displacement is a problem at all. This important volume addresses the issues and shows just how serious the situation is.