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Mahuldiha Days
Set in the forests of northern Odisha, Mahuldia Days is the moving story of a young civil servant caught between her commitment to the tribal communities she knows are the original inhabitants of the forest, and the monolithic state, oblivious to the diverse realities of life on the ground. The moonlit Brahmani river snakes through the story with a life of its own while the city of the narrator’s childhood returns to her in dreams. Agnihotri creates a poignant, intense narrative layered with an awareness of the pressures of motherhood and personal love. Praise for Anita Agnihotri: “Agnihotri draws you in with her well fleshed out characters. Their dreams, idiosyncrasies and disappointments are all too real; as are their failures.” — Aparna Singh, Women’s Web “Urgently told and precise in their direction... Each story crackles with intensity and purpose.” — Mike McClelland, Spectrum Culture “[Anita Agnihotri] sensitively and beautifully chronicles the plight of a major chunk of the country’s population.” — Abdullah Khan, The Hindu
The Awakening
Arjun is not a potter by birth. He is a low caste cobbler but he is determined to succeed in his chosen profession which deals with clay and straw instead of leather. Through Arjun’s struggle, the author explores caste and class discrimination that continues to plague society in contemporary India. The story unfolds against the backdrop of the violence of the Naxal movement of the 1960s and ’70s that wiped out an entire generation of Bengal’s youth. Anita Agnihotri sensitively handles a difficult subject and interweaves these two struggles: the one of the idol maker and the other of the families of the young Naxalite revolutionaries whom the state destroyed. Published by Zubaan.
Mahanadi
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Forest Interludes
This Volume Contains Translations Of Selected Prose Writings By Anita Agnihotri Originally Written In Bengali Between 1992-96.
Multicultural and Marginalized Voices of Postcolonial Literature
Women and the word marginalization have never remained oxymoronic – the cross-cultural texts and Engels interest on subjugation make a perfect recipe for this incongruity. Multicultural and Marginalized Voices of Postcolonial Literature traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections. The fourteen chapters relate key literary and cultural texts and cover a broad spectrum of historical, linguistic and theoretical issues. There are three sections in the book – section I has four chapters, dealing specifically theoretical constructions and representations. Section II consists of four chapters that offer varied spectrum of discourses on world literature, intersecting with the frameworks of literary theories. Section III comprises six chapters that explore the mind of dalits, subalterns, colonial women and gender issues of a variety of Indian English Writers and draw varied perspectives of it.
Seventeen
A brother and sister visit the unique crater lake that their dead, estranged mother had written to them about in her letters. A middle-class executive’s orderly life turns upside down when his employer holds back his pay cheque without explanation. The employees of a forgotten outpost in a sun-baked town threaten mass suicide because they have no hope of survival. Seventeen is a collection of short stories from Anita Agnihotri’s vast oeuvre. By turn, intense, bitter, angry, sad and torn apart by conflict, the stories bring out different faces of human hardship, and explore a country that is still unknown to many. Set in metros and villages, in small-town India and international suburbia, Agnihotri’s stories run the gamut of experiences both everyday and extraordinary. This is literary craftsmanship at its best. Published by Zubaan.
The Making of Goddess Durga in Bengal: Art, Heritage and the Public
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and...
The Strange Death of Anindyasundar
The story begins with Anindyasundor waking up at a registration office only to realise that he has died and is now at the gateway to heaven. He is surprised. He is even more shocked when the man at the counter tells him that he was murdered. A middle-aged man in his 50's and an author by profession, who would bother killing him. After much nagging and pleading this man at the counter grants him a recap of his death. Only 24 hrs and a promise that he wouldn't change anything in the course of the day. Or else there are grave things waiting, including him being banished and going to hell. Anindyasundor wakes up again, this time in his bed. Confused about whether it was all a dream. Soon there's a call from heaven and he realises his wish has been granted for 24 hrs and in those hours, he has to find the culprit. This time it is different. Everyone around him has many reasons to murder him. But His young wife, his jobless nephew, and his gardener too.
Inner Line
This anthology testifies to women`s many concerns, whether witht a way of life, or with being caught inside the fur walls of the home, or in a relationship with someone other than the husband, or being caught at the intersection of many forces within a situation of political violence and armed conflict. In one way or another the woman`s body becomes a site upon which many battles take place; for control, for power, for progeny, but there is seldom a resolution in which the women remains a mere victim, or more acted upon than acting. Whether she is in the palaces of the gods, or caught in the body of snake, or speaking through the spirit of the countrside which witnessed her rape, the woman`s voice is unique, singular and in each story, different. While this gives substance to the cliche that India is a countr where many and varied realities exist simultaneously, it gives the lie to the cliche that all women speak with a sameness and a commonality of experiences.
