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Few individuals can document their ancestry back 85 generations. Even fewer can trace their ancestry to the Merovingian, Capetian, and Carolingian Kings, the Sea-Kings of Norway, the Ancient Irish Kings of Tara, and the Grail Fisher Kings of ancient Wales. These ancestry lines extend as far back as 780 BC in the ancient city of Jerusalem, at Tara Castle in Ireland, and Skarra Brae in ancient Orkney. Family names such as Wolter, Schwartz, Hanke, Kittlesby, Rolefson, Austin, Scott, Thorndyke, Madill, Easley and Russell soon give way to Grunewald and Albrechts from Germany, Brandt from Norway and Allington, Sinclair, Ruthven, Plantagenet, Redmayne, DeGotham, Waldegrave, de La Tour, DeVere, and de Coucy of Britain and Normandy - to Rollo, Halfdan Sveidisoon, Thorfinn of Orkney, Frosti, King of Kvenland and Owain of Wales. Queens, Kings, Earls and Templar Knights, Lords and Barons dominate the lines; all ambitious, powerful and enigmatic leaders of the past who encouraged and fought for the future that we enjoy.
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
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From the nineteenth century to the present, literary entanglements between Latin America and East Central Europe have been socio-politically and culturally diverse, but never random. The Iron Curtain, in particular, forced both regions to negotiate transatlantic «elective affinities», to take a stance in relation to the West, and to position themselves within world literature. As a result, the intellectual fields and creative productions of these regions have critically engaged with notions such as «post-imperial», «marginal», or «peripheral». In this edited volume, scholars from Germany, Brazil, Czech Republic, Hungary, Mexico, Poland, Slovenia, and Spain cross the globe from South to East and back to uncover transcultural and transareal convivialities. Their papers explore literary history, poetics, intellectual networks, and aesthetic theory, while discussing new key concepts in global literary history.
Thomas Birch (d.1657) immigrated in 1637 or earlier from England to Dorchester, Massachusetts. Descendants lived in New England, Maryland, Virginia, North and South Carolina, Georgia and elsewhere.
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John Lastinger (ca. 1740-1803) emigrated about 1760 from Germany to Charleston, South Carolina, later moving to Bulloch County, Georgia. Descendants lived in South Carolina, Georgia, Florida and elsewhere.