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Terry awakens in Renay a love and sexual desire beyond her erotic imaginings. Despite the sexist, racist, and homophobic prejudices they must confront, the mutually supportive couple finds physical and emotional joy.
This is the first book-length bibliography on Ann Allen Shockley. Despite her consistent and productive output, the writings of Ann Allen Shockley have been neglected by scholars during the last four decades, due to the difficulty in locating her work. This comprehensive list of writings is designed to facilitate future research on Shockley, to allow for a complete view of her writings and their critical reception, and to guide the researcher to the full range of her publications and secondary sources about her and her works.
Black, Indigenous, and Peoples of Color--reimagine library and information science through the lens of critical race theory. In Knowledge Justice, Black, Indigenous, and Peoples of Color scholars use critical race theory (CRT) to challenge the foundational principles, values, and assumptions of Library and Information Science and Studies (LIS) in the United States. They propel CRT to center stage in LIS, to push the profession to understand and reckon with how white supremacy affects practices, services, curriculum, spaces, and policies.
DIVDIVA magnificent collection of stories that bravely and honestly explore issues of race, class, sex, love, and being lesbian in America/divDIV Ann Allen Shockley’s work has been widely praised for its honest portrayals of lesbian life, and now the author takes an even closer look at the singular world of women in love. But the stories that make up The Black and White of It address much more than simply the female gay experience: They cast a brilliant light on race issues and prejudice, on the emotional barriers that divide women and men, on the polarizing distinctions of class and culture, and on family as a force for both good and ill./divDIV These are powerful stories of love and desi...
DIVDIVThe physical and emotional attraction a charismatic black female evangelist feels for a beautiful but damaged blues singer grows into a powerful, sensual love in a southern city rocked by racism, intolerance, and sexual violence/divDIV The traveling minister Reverend Myrtle Black is a proud, strong African American woman, passionately devoted to God, justice, and intimate female contact. Enraged over a brutal assault on two young prostitutes, the good pastor comes to Nashville intending to organize local women in protest over the racism and sexism the city’s officials seem all too eager to ignore. Then, in the course of her crusade, a beautiful, profoundly damaged stranger walks thro...
Can an up-and-coming horror actress and the makeup artist for her newest "creature feature" turn on-set chemistry into the romance of a lifetime? Lilah Silver's a young actress who dreams of climbing out of B-list stardom. She's been cast as the lead in what could be her breakout performance...but if she wants to prove herself to everyone who ever doubted her, she's going to need major help along the way. Noa Birnbaum may be a brilliant makeup artist and special effects whiz-kid, but cracking into the union is more difficult than she imagined. Keeping everyone happy is a full-time job, and she's already run ragged. And yet when the beautiful star she's been secretly crushing on admits to fears of her own, Noa vows to do everything in her power to help Lilah shine like never before. Long hours? Exhausting work? No problem. Together they can take the world by storm...but can the connection forged over long hours in the makeup chair ever hope to survive the glare of the spotlight?
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.
Unbought and Unbossed critically examines the ways black women writers in the 1970s and early 1980s deploy black female characters that transgress racial, gender, and especially sexual boundaries. Trimiko Melancon analyzes literary and cultural texts, including Toni Morrison’s Sula and Gloria Naylor’s The Women of Brewster Place, in the socio-cultural and historical moments of their production. She shows how representations of black women in the American literary and cultural imagination diverge from stereotypes and constructions of “whiteness,” as well as constructions of female identity imposed by black nationalism. Drawing from black feminist and critical race theories, historical discourses on gender and sexuality, and literary criticism, Melancon explores the variety and complexity of black female identity. She illuminates how authors including Ann Allen Shockley, Alice Walker, and Gayl Jones engage issues of desire, intimacy, and independence to shed light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality.
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."