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Describing the Unobserved and Other Essays
The seven essays gathered in this volume are all concerned, more or less directly, with the “unspeakable sentences” of fictional narration, that is, the sentences that do not bear any explicit mark nor any implicit indication of a first person and which are not interpretable as the expression of a speaker’s subjectivity. Chief among them are the sentences of free indirect style, which this book prefers to call sentences of “represented speech and thought.” All of these essays were written after the publication of Unspeakable Sentences: Narration and Representation in the Language of Fiction (1982). They take up its theoretical frameworks and extend its analyses into other contexts, where they acquire other uses, other functions, and other values. Taken as a whole, this work bears witness to the richness and vitality of the encounter between linguistics, philosophy, and the theory and analysis of narrative and the novel.
Phantom Sentences
Ann Banfield - professor in the Department of English at the University of California, Berkeley - is best known for her groundbreaking contributions to narrative theory. Working within the paradigm of generative linguistics, she argued that the language of fiction is characterized by two «unspeakable sentences», i.e., sentences that do not properly occur in the spoken language: the sentence of «pure narration» and the sentence of «represented speech and thought» (style indirect libre or erlebte Rede). More recently, Banfield offered a major reconsideration of the novels of Virginia Woolf and modernism in light of the philosophy of knowledge developed by G. E. Moore and Bertrand Russell, and appropriated by Roger Fry in his critical analyses of impressionism and post-impressionism. The essays gathered here pay tribute to Banfield by addressing those disciplines and topics most closely related to her work, including: narrative theory and pragmatics, the philosophy of language and knowledge, generative syntax, meter and phonology, and modernism.
The Phantom Table
Virginia Woolf identified the influence on her work of 'the Cambridge Apostles', the philosophical society which counted G. E. Moore, Bertrand Russell and much of male Bloomsbury among its members, as one more 'capable of description' than 'the influence of my mother'. In this major study of Woolf's relationship to Bloomsbury and the aesthetic and philosophical developments of her time, Ann Banfield subjects that influence to a full treatment. The theory of knowledge Moore and Russell formulated, Banfield argues, profoundly affected Woolf's conception of reality, as it did Roger Fry's theory of Post-Impressionism, one source for Woolf's transformations of philosophical principles into aesthetic ones. The Phantom Table is a magisterial account of Woolf's engagement with this remarkable trinity of thinkers: Moore, Russell, Fry. It revises the epistemology of modernism, reconceiving the relation between realism and formalism to account for Woolf's dual reality of sense impressions and logical forms.
Unspeakable Sentences (Routledge Revivals)
First published in 1982, this title grew from a series of essays on various aspects of narrative style; the result is a finished product that melds literary theory with linguistic methodology. It is argued that, where linguistic theory intersects with literary theory, it is narrative that provides the crucial ‘experiment’ for deciding between a communication and a non-communication theory of language and, by extension, of literature. Chapters discuss such areas as subjectivity in direct and indirect speech, the absence of the narrator, and the development of narrative style. With a detailed introduction to the subject, this reissue will be of value to students of linguistics and literature with a particular interest in narrative style and linguistic theory.
When Voices Clash
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Story Logic
Featuring a major synthesis and critique of interdisciplinary narrative theory, Story Logic marks a watershed moment in the study of narrative. David Herman argues that narrativeøis simultaneously a cognitive style, a discourse genre, and a resource for writing. Because stories are strategies that help humans make sense of their world, narratives not only have a logic but also are a logic in their own right, providing an irreplaceable resource for structuring and comprehending experience. Story Logic brings together and pointedly examines key concepts of narrative in literary criticism, linguistics, and cognitive science, supplementing them with a battery of additional concepts that enable ...
Film Theory
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
The Concept of Style
A ground-breaking attempt at a prolegomenon to the study of style, this collection brings together eleven essays by distinguished philosophers, literary theorists, art historians, and musicologists, all addressing the role played by style in the arts and literature.
The Fictions of Language and the Languages of Fiction
Monika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory, and the crucial problematic of how speech and thought are represented in fiction. Building on the insights of Ann Banfield's Unspeakable Sentences, Fludernik radically extends Banfield's model to accommodate evidence from conversational narrative, non-fictional prose and literary works from Chaucer to the present. Fludernik's model subsumes earlier insights into the forms and functions of quotation and aligns them with discourse strategies observable in the oral language. Drawing on a vast range of literature, she provides an invaluable resource for researchers in the field and introduces English readers to extensive work on the subject in German as well as comparing the free indirect discourse features of German, French and English. This study effectively repositions the whole area between literature and linguistics, opening up a new set of questions in narrative theory.
Interdisciplinary Approaches to Language
The thirty-two papers in this collection are offered to Professor S.-Y. Kuroda by his friends, as a ge sture of their deep respect and enduring affection. One of the many ways in which Professor Kuroda has impressed us all is in the breadth of his interests and areas of expertise. He is one of those rare scholars whose work and interests span the whole range of his discipline. He is a figure of such intellectual stature that he has inspired, influenced, and encouraged researchers in an astonishing variety of projects. He continues to do so at an unslackened pace today, just as his own productivity remains vigorous. But mention of Yuki's inspiration and influence is inadequate without mention...
