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And the Internet has democratised overly. But you know what? People love hierarchy. It infuriates them but it makes them horny. It's gold dust. Anna. 25. Curator. I ? art, fashion, NYC. Ariel. 32. CEO @Genesis. A dating app by invite only. SF-NYC-LDN. It's all about concept, and it's so easy. Anna and Ariel, they make the world. They curate and create and know what people want. The fashionistas, the art scene, the elite party circuit. Outsiders who infiltrate, who influence, who dazzle. Appearance is everything. And then it isn't. And there's a price to pay. A story about narcissism inspired by real events, Anna X premiered at the VAULT Festival, 2019, and transferred to the Harold Pinter Theatre, London, in July 2021.
At the signing of the Magna Charta, twenty-five men, representing the barons, signed as sureties of the baronial performance, in effect pledging the barons to fulfill their obligations to the Crown in accordance with the terms of the Great Charter. Of these twenty-five sureties only seventeen have identified descendants. Each of the seventeen is represented in the celebrated "Magna Charta Sureties," which traces their connections--line by line and generation by generation--to approximately 160 American colonists. Eight years have passed since the publication of the last edition of this work, however, and in the interval a great many additions, corrections, and revisions have accumulated. Bro...
This is the eighth edition of the classic work on the royal ancestry of certain colonists who came to America before the year 1700, and it is the first new edition to appear since 1992, reflecting the change in editorship from the late Walter Lee Sheppard, Jr. to his appointed successors William and Kaleen Beall. Like the previous editions, it embodies the very latest research in the highly specialized field of royal genealogy. As a result, out of a total of 398 ancestral lines, 91 have been extensively revised and 60 have been added, while almost all lines have had at least some minor corrections, amounting altogether to a 30 percent increase in text. Previous discoveries have now been inte...
Reprint of the original, first published in 1876.
How can we experience real emotions when viewing a movie or reading a novel or watching a play when we know the characters whose actions have this effect on us do not exist? This is a conundrum that has puzzled philosophers for a long time, and in this book Robert Yanal both canvasses previously proposed solutions to it and offers one of his own. First formulated by Samuel Johnson, the paradox received its most famous answer from Samuel Taylor Coleridge, who advised his readers to engage in a "willing suspension of disbelief." More recently, philosophers have argued that we are irrational in emoting toward fiction, or that we do not emote toward fiction but rather toward factual counterparts...