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Owen Barfield
In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in God's primordial poiēsis.
I'm Working Here
Anna Mendelssohn (1948-2009) authored poetry, fiction, drama, and life writing; she was also a visual artist, musician, and translator. From the early 1980s, Mendelssohn composed 19 poetry collections and published in journals receptive to her experimental, charged lyrics, and retained a marginal, if constant, presence in the poetry community.
This Ghostly Poetry
This Ghostly Poetry explores the fraught relationship between poetry and literary history in the context of the Spanish Civil War, its aftermath, and ongoing debates about historical memory in Spain.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Rosemary Nelson Inquiry Report
Rosemary Nelson, a solicitor in Lurgan, Northern Ireland, was murdered by a bomb exploding under her car near her home in March 1999. There were claims the police and government ignored a series of warnings about threats against her: concerns about her safety had been raised over a two-year period before she was killed. She had become a hate figure for hardline loyalists - and reportedly some police officers - because of some of the Republican clients she represented. It was claimed she had been threatened by RUC officers as well as loyalist paramilitaries. The Cory Collusion Inquiry (2004, ISBN 9780102927443) investigated the allegations of collusion between British security forces and para...
Chocolate Che
The poems in Chocolate Che were written in Cuba in the fiftieth year of the revolution; in India working with dying destitutes and recovering from tuberculosis; travelling up and down the spine of the Americas and into the heart of Europe on the trail of soldiers, artists and monks. Damian Furniss works images into narratives that are both darkly humorous and strangely moving. Using forms as varied as their subjects, with characteristic verbal intensity and a probing wit, he returns to the fixations of his youth in wry but reflective maturity. Along the way, he encounters the Dalai Lama and Mother Teresa; visits the houses of Pablo Picasso and Salvador Dalí, only to find no one's at home; and collects the stubs of cigars that might once have been smoked by Che Guevara and Fidel Castro, but probably weren't.
Miracle of Mexico
Alfonso Reyes Ochoa (1889-1959) was a Mexican writer, philosopher and diplomat. This is the first major collection of his poetry in English. "A man for whom language has been all that language can be: sound and sign, inert trace and wizardry, a clockwork mechanism and a living thing." (Octavio Paz)
Stanzas on the Death of His Father
Coplas por la muerte de su padre by Jorge Manrique (c.1440-79) is one of the most celebrated poems in the Spanish language. Written shortly before the poet's death, it is a dignified elegy that speaks not just of a personal loss, that of the poet's father Rodrigo Manrique (d.1476), but of the evanescence of all things sub specie aeternitatis. Its popularity is aided by memorable lines, not least the two opening metaphors: man's life is a river meandering unto the sea of death (st. 3), and this world is the road to the next, the lasting dwelling place (st. 5). The poem replicates these reflections in its wending form. Its forty stanzas each comprise four tercets; each tercet is made up of two longer octosyllabic verses combined with one four-syllable half line known as pie quebrado. These regular broken lines, like beats of a heart, invest the poem with a resonant quality befitting the injunction at the opening of the poem to awaken one's slumbering soul to the passage of time: 'Recuerde el alma dormida, - avive el seso e despierte' (st. 1).
High Quality Care for All
This review incorporates the views and visions of 2,000 clinicians and other health and social care professionals from every NHS region in England, and has been developed in discussion with patients, carers and the general public. The changes proposed are locally-led, patient-centred and clinically driven. Chapter 2 identifies the challenges facing the NHS in the 21st century: ever higher expectations; demand driven by demographics as people live longer; health in an age of information and connectivity; the changing nature of disease; advances in treatment; a changing health workplace. Chapter 3 outlines the proposals to deliver high quality care for patients and the public, with an emphasis...
