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Anne E. Becker examines the cultural context of the embodied self through her ethnography of bodily aesthetics, food exchange, care, and social relationships in Fiji. She contrasts the cultivation of the body/self in Fijian and American society, arguing that the motivation of Americans to work on their bodies' shapes as a personal endeavor is permitted by their notion that the self is individuated and autonomous. On the other hand, because Fijians concern themselves with the cultivation of social relationships largely expressed through nurturing and food exchange, there is a vested interest in cultivating others' bodies rather than one's own.
The Mindhunters, Book One Fear: the most primal of human emotions, and evil’s most powerful weapon. Dr. Maggie Levine chose a profession where she could help people. However, after a violent incident with a psychiatric patient leaves her scarred and vulnerable, she prefers keeping a safe distance. Her job as a radio talk show host gives her the opportunity to help while providing a sense of security—until one of her callers begins stalking her. Former Secret Service Agent Ethan Townsend found his niche as a personal security expert who protects people from the monsters of the world. Employed by the Society for the Study of the Aberrant Mind (SSAM), he can use his skills to help clients, ...
A landmark literary event: the first novel by a female member of Oulipo in English, a sexy genderless love story.
In this provocative and groundbreaking nonfiction novel, Albert Wang who is an investigative reporter in the tradition of Hunter Thompson and Norman Mailer reinvents his fictional alter-ego qi peng as a Utah conceptual artist who is trying to make it into the contemporary art world, particularly New York City, from a relative unknown.This mystery novel begins with qi peng's suicide within his future and leads down a darker path into this emerging artist's sordid past as he aspires to find love and appreciation from his fellow artists/characters/celebrities... Wang's controversial reportage as an act of performance art focuses on the spiritual "murder" of the soul as a counterpart to Truman Capote's classic book, "In Cold Blood," that looks at physical murder of humans.
Claire Becker was approaching her twenty-eighth birthday on the night she was killed. Her tragic passing, somewhat poignantly, came hours after finding the truth about what really happened to her family, all those years ago. The precise events of Christmas Day, 1997, would remain a mystery to Claire until the last hours of her life. All those involved that night have a story to tell, and Claire is dead set on uncovering the truth. After seeing her cousin’s face in the paper, Claire sets out on a journey of self-discovery back to her native Scotland. Along the way, she meets the mysterious stranger, Kieran, who takes an unlikely interest in helping her. The man’s name, Claire later discovers, is Gaelic for ‘Little Dark One’. While this man with the mysterious past helps Claire find out her own buried truths, disturbing details involving his own past come to light and his shadowy motives start to become clear. As it happens, Kieran also has a vested interest in the events of that Christmas and maybe he’s not as innocent in all this as he at first appears – he is after all the Little Dark One…
This book adds impetus to the nexus between human rights, human rights education and material reality. The dissonance between these aspects is of growing concern for most human rights educators in various social contexts. The first part of the book opens up new discourses and presents new ontologies and epistemologies from scholars in human rights, human rights education and human rights literacies to critique and/or justify the understandings of human rights’ complex applications. Today’s rapidly changing social contexts and new languages attempting to understand ongoing dehumanization and violations, put enormous pressure on higher education, educators, individuals working in social sc...
Explores the wide range of scholarship on revision while bringing new light to bear on enduring questions in composition and rhetoric.
How do ordinary people respond when their lives are irrevocably altered by terror and violence? Susanna Trnka was residing in an Indo-Fijian village in the year 2000 during the Fijian nationalist coup. The overthrow of the elected multiethnic party led to six months of nationalist aggression, much of which was directed toward Indo-Fijians. In State of Suffering, Trnka shows how Indo-Fijians' lives were overturned as waves of turmoil and destruction swept across Fiji. Describing the myriad social processes through which violence is articulated and ascribed meaning-including expressions of incredulity, circulation of rumors, narratives, and exchanges of laughter and jokes-Trnka reveals the way...
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