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It's an awful story. It's an awful story. Why do you want to bring this up now?--Chief Awusa of Atorkor For centuries, the story of the Atlantic slave trade has been filtered through the eyes and records of white Europeans. In this watershed book, historian Anne C. Bailey focuses on memories of the trade from the African perspective. African chiefs and other elders in an area of southeastern Ghana-once famously called "the Old Slave Coast"-share stories that reveal that Africans were traders as well as victims of the trade. Bailey argues that, like victims of trauma, many African societies now experience a fragmented view of their past that partially explains the blanket of silence and shame around the slave trade. Capturing scores of oral histories that were handed down through generations, Bailey finds that, although Africans were not equal partners with Europeans, even their partial involvement in the slave trade had devastating consequences on their history and identity. In this unprecedented and revelatory book, Bailey explores the delicate and fragmented nature of historical memory.
A consideration of the ways in which the past was framed and remembered in the pre-modern world. The training and use of memory was crucial in medieval culture, given the limited literacy at the time, but to date, very little thought has been given to the complex and disparate ways in which the theory and practices of memoryinteracted with the inherently unstable concepts of time and gender at the time. The essays in this volume, drawing on approaches from applied poststructural and queer theory among others, reassess those ideologies, meanings and responses generated by the workings of memory within and over "time". Ultimately, they argue for the inherent instability of the traditional gend...
The cult of the saints was central to medieval Christianity largely due to the miraculous. Saints were members of the elect of heaven and could intercede with God on the behalf of supplicants. Whilst people visited shrines and prayed to the saints for many reasons it was the hope of intercession and the praise of miracles past which drove the cult of the saints. This book examines how a person solicited aid from a saint, how they might give thanks and the ways in which post-mortem miracles structured the cult of the saints. A huge number of miracle stories survive from medieval England, in dedicated collections as well as in saints’ lives and other source material. This corpus is full of s...
Examines depictions of grief in the Middle Ages by exploring how grief relates to gender and identity, as well as how men and women perform grief within the various constructions of both gender and grief established by medieval culture.
The cults of the saints were central to the medieval Church. These holy men and women acted as patrons and protectors to the religious communities who housed their relics and to the devotees who requested their assistance in petitioning God for a miracle. Among the collections of posthumous miracle stories, miracula, accounts of holy healing feature prominently and depict cure-seekers successfully securing their desired remedy for a range of ailments and afflictions. What can these miracle accounts tell us of the cure-seekers' experiences of their journey from ill health to recovery, and how was healthcare presented in these sources? This book undertakes an in-depth study of the miraculous c...
Passion had always ruled her.Margaret Douglas, daughter of a Queen, niece of King Henry VIII never did anything by half measures. When she was a young woman she dared to love knowing it could only end in heartbreak. Love was never meant for those so close to the throne. Still she went on believing that one day she would have it all. A husband. A family. A legacy. Her story is that of a woman who lived a life full of intrigues and power struggles. Some may have called her greedy but it was ambition that drove her - that overcame her. Will she be prepared to risk everything she ever loved to achieve her dreams?Royal Court Series Book 3
This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.
An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe. Poet, Mystic, Widow, Wife charts the lives and times of four medieval women writers—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own paths. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living. Reading the words of these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? Could they be leaders? What did they think about death—and what about life and their place in it? Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.
Back in print after more than a century, this book is the only major biography in existence on Ann Bailey. Newly indexed and containing supplemented images and a map, it is also important for genealogy research on the early settlers of Virginia and the Ohio River Valley.