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Military literature was one of the most prevalent forms of writing to appear during the Romantic era, yet its genesis in this period is often overlooked. Ranging from histories to military policy, manuals, and a new kind of imaginative war literature in military memoirs and novels, modern war writing became a highly influential body of professional writing. Drawing on recent research into the entanglements of Romanticism with its wartime trauma and revisiting Michel Foucault's ground-breaking work on military discipline and the biopolitics of modern war, this book argues that military literature was deeply reliant upon Romantic cultural and literary thought and the era's preoccupations with the body, life, and writing. Simultaneously, it shows how military literature runs parallel to other strands of Romantic writing, forming a sombre shadow against which Romanticism took shape and offering its own exhortations for how to manage the life and vitality of the nation.
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Should doctors prescribe pharmaceuticals for life enhancement? From Rogaine for nicer hair to Prozac for personality to the new anti-impotency drug Viagra, its a question increasingly debated.
Do indigenous peoples have an unassailable right to the land they have worked and lived on, or are those rights conferred and protected only when a powerful political authority exists? In the tradition of John Locke and Thomas Hobbes, who vigorously debated the thorny concept of property rights, Sara L. Maurer here looks at the question as it applied to British ideas about Irish nationalism in the nineteenth century. This book connects the Victorian novel’s preoccupation with the landed estate to nineteenth-century debates about property, specifically as it played out in the English occupation of Ireland. Victorian writers were interested in the question of whether the Irish had rights to ...
American independence was inevitable by 1780, but British writers spent the several decades following the American Revolution transforming their former colonists into something other than estranged British subjects. Christopher Flynn's engaging and timely book systematically examines for the first time the ways in which British writers depicted America and Americans in the decades immediately following the revolutionary war. Flynn documents the evolution of what he regards as an essentially anthropological, if also in some ways familial, interest in the former colonies and their citizens on the part of British writers. Whether Americans are idealized as the embodiments of sincerity and virtu...
Argues that Shakespeare is anti-political, dissecting the nature of the nation-state and charting a surprising form of resistance to it, using sovereign power against itself to engineer new forms of selfhood and relationality that escape the orbit of the nation-state. It is these new experiences that the book terms 'the life of the flesh'.
This book explores how the Romantic poetry of Byron, Shelley, and Keats engages with tales and themes of the Orient.
It's 2005. Blogs are becoming a thing, flip phones are the epitome of texting tech, and AOL still sends out those freebie trial discs. They’re also tough times in Detroit, especially for Hamtramck girl and part-time tech blogger Toni Dzielny. Within days, she’s lost her technical writing job, has to swear off coffee due to her hypertension, and interviews for her dream job as a writer for the Detroit Free Press, only to find she’s competing for the same job with her beautiful nemesis, Kayla Ratcliff. As if that weren’t enough, she learns her ex-boyfriend, Leo Donnelli, was murdered less than two miles from her house. But before he died, he snail-mailed her a mysterious computer disc ...