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World War I in Africa
The vast military campaigns in Africa during World War I were among the most ambitious of the Great War. Many histories, however, have regarded these campaigns as side-shows to the war on the Western Front. World War One in Africa looks afresh at the impact of the strategy of the German and Allied campaigns, and at the great rivalry between General Jan Christian Smuts, who took on the German forces in East Africa, and General Lettow-Vorbeck, celebrated as the only German general to occupy British territory and whose troops finished the war undefeated. Using primary material from British and South African archives, this book is a detailed study of the giants of the campaign, and the battles which would shape the outcome of the Great War as well as the future of the African continent and the British Empire.
Britain, South Africa and the East Africa Campaign 1914-1918: The Union Comes of Age
Contains original material on an under-researched period in British and South African history. An unusual approach - writing colonial history from the perspective of all the countries involved, this work sheds new light on greater historical processes of British and German rivalry in Africa and the development of an independent South Africa. The East African campaign has held little place in national memory - for Britain, it has been a 'romantic' side-show whilst for South Africa, a reminder of its failure to unite the two dominant white races and acquire the port of Delagoa Bay in Portuguese East Africa. Using new material gained from original research, Anne Samson reassesses the importance of the campaign to the young South African dominion in attempting to prove its coming of age and pursue its imperial desires. "Britain, South Africa and the East African Campaign" is a comprehensive study from multiple perspectives of the key players that will illuminate this under-researched period in colonial history.
There Came a Time 2
Military engagements 1. India's contribution to the Great War in East Africa - Harry Fecitt 2. Major-General JM Stewart's advance from Namanga, BEA to Moshi, GEA, 5-16 March 1916 - James Willson 3. South Africa's Cape Corps - Rufiji campaign: The final push - Janet Szabo 4. South Africa's Cape Corps at Square Hill, Palestine - A test of its fighting mettle - Janet Szabo 5. The impact of WW1 on East Africa seen through the eyes of Claude Oldfield, Colonial Service, Northern Rhodesia (1911-32) - Malcolm Alexander Challenging myths and legacy 6. The legend of the Old & the Bold - Fact or Myth? - Alex Balm 7. The engagement of small scale farm growers in Coffee farming during German and British ...
World War I and Propaganda
World War I and Propaganda offers a new look at a familiar subject. The contributions to this volume demonstrate that the traditional view of propaganda as top-down manipulation is no longer plausible. Drawing from a variety of sources, scholars examine the complex negotiations involved in propaganda within the British Empire, in occupied territories, in neutral nations, and how war should be conducted. Propaganda was tailored to meet local circumstances and integrated into a larger narrative in which the war was not always the most important issue. Issues centering on local politics, national identity, preservation of tradition, or hopes of a brighter future all played a role in different forms of propaganda. Contributors are Christopher Barthel, Donata Blobaum, Robert Blobaum, Mourad Djebabla, Christopher Fischer, Andrew T. Jarboe, Elli Lemonidou, David Monger, Javier Pounce,Catriona Pennell, Anne Samson, Richard Smith, Kenneth Andrew Steuer, María Inés Tato, and Lisa Todd.
Witchcraft in Early Modern Scotland
This volume provides a valuable introduction to the key concepts of witchcraft and demonology through a detailed study of one of the best known and most notorious episodes of Scottish history, the North Berwick witch hunt, in which King James was involved as alleged victim, interrogator, judge and demonologist. It provides hitherto unpublished and inaccessible material from the legal documentation of the trials in a way that makes the material fully comprehensible, as well as full texts of the pamphlet News from Scotland and James' Demonology, all in a readable, modernised, scholarly form. Full introductory sections and supporting notes provide information about the contexts needed to understand the texts: court politics, social history and culture, religious changes, law and the workings of the court, and the history of witchcraft prosecutions in Scotland before 1590. The book also brings to bear on this material current scholarship on the history of European witchcraft.
A Theatre for Dreamers
THE SUNDAY TIMES BESTSELLER 'Delicious' Nigella Lawson 'Clever and beguiling' Guardian 'Sublime and immersive' Jojo Moyes Erica is eighteen and ready for freedom. It's the summer of 1960 when she lands on the sun-baked Greek island of Hydra where she is swept up in a circle of bohemian poets, painters, musicians, writers and artists, living tangled lives. Life on their island paradise is heady, dream-like, a string of seemingly endless summer days. But nothing can last forever. 'A surefire summer hit ... At once a blissful piece of escapism and a powerful meditation on art and sexuality' Observer 'Heady armchair escapism ... An impressionistic, intoxicating rush of sensory experience' Sunday Times 'If summer was suddenly like a novel, it would be like this one. Immaculate' Andrew O'Hagan
The Chiwaya War
The Chiwaya War's basic conclusions are that the First World War was a major turning point in the history of Malawi's peoples, creating the first glimmers of a shared national identity; and that it marked, more than any event before or since, the entry of Malawians into the emerging modern world system far more quickly than likely they, and certainly even the most enlightened British colonial administrators of the time, would have preferred.
The Scots Magazine
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Film Criticism as Cultural Fantasy
This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a E...
