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A beautifully written novel of grief, recovery, and love.
Fifty-three-year-old Grace Winthrop Hobbes is newly divorced with two college-age kids, an eccentric octogenarian mother, a stalled novel-in-progress, and a sex drive that is coming out of hibernation with a vengeance. Refusing to go gently into the dark night of abstinence and retreat, and tired of sexual double standards, Grace makes a vow to seize life's bull by the horns. Her adventures begin with Fuzz, who likes to take notes after sex; with Dylan, a soulful computer genius in search of an "era"; Otis, a one-armed jogger raising a seven-year-old daughter with OCD; and a banker in Vermont who offers a new twist. However, Grace's year of re-liberation doesnt go quite as planned. As her empty house slowly fills with quirky, unexpected " guests," she gains new insights into friendship, intimacy, happiness, and the notion of home. There but for Grace is a funny, earnest look at the modern " family," nuclear and extended -- sometimes way overextended.
Down to the River is a family saga set in the late 1960s in Cambridge, Massachusetts against the backdrop of the Vietnam War. Twin brothers, Nash and Remi Potts, have grown up as entitled, Harvard-educated, golden boys, heirs to an old, but dwindling family fortune. With the passage of time, the gold veneer of prosperity begins to chip away, and their lives begin to falter. We meet Remi and Nash in 1968, in their mid-forties and partners in a sporting goods store in Harvard Square. The twins' marriages are in trouble. Their youngest children, Chickie and Hen (mistakes, they're often called....), are coming of age during the turbulent urban wilderness of the late 1960s-- school bomb threats, racial tensions, war protests and demonstrations at Harvard and beyond. With all hell breaking loose at home, and any semblance of "parenting" hanging ragged in the wind, the two cousins are left largely to their own devices. Suddenly freed from old rules and restrictions, they head out onto the streets of Cambridge, which become their concrete playground, tumbling headlong into a world of politics, sex, drugs, rock and roll.
A novel of Colonial Rhode Island and its vibrant early African American life and culture.
A haunting novel of alienation and youth in a culture bred on casual violence.
Geoffrey Frost participates in a key battle of the American Revolution in the latest installment of the Frost Saga
An extraordinarily accomplished first novel of desires postponed, thwarted, and sometimes fulfilled.
"On March 6, 1998, a disgruntled employee went on a rampage at the Connecticut Lottery Corporation, killing four executives before turning the gun on himself. The tragedy made headlines and topped newscasts across the country for weeks. In The Unspeakable, Denise Brown, who lost her husband in the shootings, gives voice to the deeper part of the story left untold by the tabloids." "The Unspeakable is based on the author's journal entries of the year following her husband's death - a record of debilitating nightmares and fears, of fruitless encounters with cooperation and state officials, of the struggle to help her children cope with the loss of a devoted father. It charts a path from bitterness to hope, and reveals the difficult steps that a survivor must take to move beyond rage and rise above the profound and complicated grief that is the legacy of violence."--BOOK JACKET.
Rachel Dilworth received her MA in creative writing from the University of California at Davis and her BA from Yale. Her poems have appeared in TriQuarterly, AGNI Online, American Literary Review, Chautauqua, Spoon River Poetry Review, and elsewhere. She has been the recipient of a Fulbright Fellowship to Ireland for creative writing, a Jack Straw Writers Program residency, Yale's Clapp Fellowship for poetry, scholarship support from the Bread Loaf Writers' Conference, a Dorothy Prize, and other awards.