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Shoot the Conductor
Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By ...
Historic Richardson
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Rightness and Reasons
Must there be a single right interpretation of a particular cultural entity? In his book Michael Krausz considers this question in such representative cultural practices as music, visual art, history, and cross-cultural understanding. Krausz advances two main theses. First, he argues, the notion that there must be a single right interpretation in cultural practices—the "singularist" view—is misplaced. Without acceding to an interpretive anarchism, he embraces the "multiplist" view that cultural practices characteristically allow a multiplicity of ideally admissible interpretations. In his discussion Krausz critically outlines the maneuvers available to both singularists and multiplists. ...
Roots in the Air
By way of dialogues, Michael Krausz offers philosophical reflections about his life as a philosopher, artist, and musician. After providing biographical accounts of his years of experience in these areas, he rehearses his views about relativism, interpretation, creativity, and self-realization.
The Michigan Alumnus
In v.1-8 the final number consists of the Commencement annual.
Rudolf Serkin
Rudolf Serkin was a virtuoso solo performer, who like Heifitz & Horowitz, made Eruopean classical music an important part of American middle class culture in the 1920s. This is the first biography of Serkin & it concerntrates on the unfolding of his career in the United States.
Records in Review
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Annual Report
Reports for 1980- include also the Annual report of the National Council on the Arts.
