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In the shadow of the Sangre de Cristo Mountains, New Mexico’s Mora Valley harbors the ghosts of history: troubadours and soldiers, Plains Indians and settlers, families fleeing and finding home. There, more than a century ago, villagers collect scraps of paper documenting the valley’s history and their identity—military records, travelers’ diaries, newspaper articles, poetry, and more—and bind them into a leather portfolio known as “The Book of Archives.” When a bomb blast during the Mexican-American War scatters the book’s contents to the wind, the memory of the accounts lives on instead in the minds of Mora residents. Poets and storytellers pass down the valley’s traditio...
Hidden Chicano Cinema examines how New Mexico, situated within the boundaries of the United States, became a stand-in for the exotic non-western world that tourists, artists, scientists, and others sought to possess at the dawn of early filmmaking, a disposition stretching from the silent era to today as filmmakers screen their fantasies of what they wished the Southwest Borderlands to be. The book highlights “film moments” in this region’s history including the “filmic turn” ushered in by Chicano/a filmmakers who created new ways to represent their community and region. A. Gabriel Meléndez narrates the drama, intrigue, and politics of these moments and accounts for the specific cinematic practices and the sociocultural detail that explains how the camera itself brought filmmakers and their subjects to unexpected encounters on and off the screen. Such films as Adventures in Kit Carson Land, The Rattlesnake, and Red Sky at Morning, among others, provide examples of movies that have both educated and misinformed us about a place that remains a “distant locale” in the mind of most film audiences.
"Recounts Ponciano's run-in with Vicente Silva and his bandits, who history confirms murdered, stole, and rustled cattle throughout the 1880s. It's the story of a farmer outwitting Silva in a folktale that shapes our understanding of the cultures of northern New Mexico"--
Eusebio Chacón, born in Pe-asco, New Mexico, is arguably one of the most significant and most overlooked figures in New Mexico's cultural heritage. He earned a law degree from Notre Dame and returned to practice law in Trinidad, Colorado. He served as a district attorney for Las Animas County, Colorado, and as a translator for the U.S. Court of Private Land Claims. In 1898, he began to write and edit for El Progreso, in which many of his articles exposed the unjust treatment of Hispanics in Colorado and New Mexico. He was also New Mexico's first novelist, and took pride in his pioneering efforts to establish a Nuevomexicano literary tradition. This collection of Chacón's writings brings together all published and written materials found, displaying his versatility with samples of his work as an accomplished orator, translator, essayist, historian, novelist, and poet.
The Ku Klux Klan's persecution of Hispanics during the early 1920s was just as brutal as their terrorizing of the black community--a fact sparsely documented in historical texts. The KKK viewed Mexicans as subhuman foreigners supporting a Catholic conspiracy to subvert U.S. institutions and install the pope as leader of the nation, and mounted a campaign of intimidation and violence against them. Drawing on numerous Spanish-language newspapers and Klan publications of the day, the author describes the KKK's extensive anti-Hispanic activity in the southwest.
A collection of essays, fiction, poetry, newspaper articles, and interviews with local inhabitants demonstrating the cultural diversity of the Southwest.
In the late nineteenth century, the Mexican government, seeking to fortify its northern borders and curb migration to the United States, set out to relocate “Mexico-Texano” families, or Tejanos, on Mexican land. In Colonizing Ourselves, José Angel Hernández explores these movements back to Mexico, also known as autocolonization, as distinct in the history of settler colonization. Unlike other settler colonial states that relied heavily on overseas settlers, especially from Europe and Asia, Mexico received less than 1 percent of these nineteenth-century immigrants. This reality, coupled with the growing migration of farmers and laborers northward toward the United States, led ultimate...
A collection of essays, fiction, poetry, newspaper articles, and interviews with local inhabitants demonstrating the cultural diversity of the Southwest.
Winner of the 2022 International Latino Book Award: Bronze Medal for Fiction Translation, Spanish to English El feliz ingenio neomexicano is a bilingual recovery edition of Obras de Felipe Maximiliano Chacón, el Cantor Neomexicano: Poesía y prosa, the first collection of poetry published by a Mexican American author. Journalist and author Felipe M. Chacón, part of a distinguished and active family of nuevomexicano authors, published the book in 1924. El feliz ingenio neomexicano (that "inspired New Mexican wit") reestablishes Chacón's work and his reputation by making the text widely available to readers for the first time in nearly a century. With Nogar and Meléndez's excellent translation of the text, this bilingual volume offers access to both English and Spanish editions for scholars and students from a variety of disciplines. Additionally, the in-depth introduction and appendix materials gathered by the editors place Chacón's book in the context of the time in which it was printed, offering a unique insight into the work. A welcome volume for scholars and literature lovers alike, El feliz ingenio neomexicano is a groundbreaking work of literary recuperation.
This is a study of Spanish-language journalism as an archival recovery project to glean literary texts from Spanish-language newspapers published by Mexican Americans in New Mexico during the late territorial and early statehood period.