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I love a sunburnt dystopia. Straya lies in ruins. A once proud nation, former Australia has regressed into a patchwork civilization cowering under the deadly heat of a merciless sun. Savage violence lurks around every corner. Good pubs, but. Affable young mutant, Franga, risks life and double-jointed limb to help provide for his makeshift family of mutie kids and increasingly senile friend and mentor, Ken Ages. After finding a strange artifact in the deadly Downlow district, Franga inadvertently starts a horrifying chain reaction... Something terrifying takes form in New Sydney. A colossal beast rises, as unspeakably powerful as it is malevolent, and if Franga and his crew of misfits can't stop it? Then all of Straya is completely farked. Screenwriter and journalist Anthony O'Connor's debut novel balances canny social allegory with subversive wit and an oddly optimistic sense of hope.
This book explores various characteristics of tropical African cities, with special reference to change in the post-independence period. It stresses the diversity of urban forms and urban experience to be found within the region, distinguishing the more general features from those peculiar to individual cities. Much has been written about urban Africa, but nearly all relates to particular cities: this book provides a context for such studies. This review provides an essential foundation both for theoretical clarification of the processes of urbanization and for practical planning decisions. The topics covered range from rural-urban migration and national urban systems to the urban economy, housing , and the spatial structure of cities. The sharp contrasts between indigenous and colonial urban traditions are emphasized, but so also is the evidence for convergence today, as indigenization takes place in the colonial cities while Westernization proceeds ini those of indigenous origin. This book was first published in 1983.
Previous writings on Charles Yelverton O'Connor, the farsighted Irish civil engineer who has become an almost legendary figure in the history of Western Australia, have tended to concentrate on the political, economic and engineering aspects of his life and work. Today, his works are revered and his memory honored, though whether this enduring interest stems as much from a fascination with the events surrounding his tragic suicide than with a genuine appreciation of his work is debatable. In this biography, the author seeks to focus more on the man himself, the quintessential Victorian, brimming with confidence and a belief that the great technical advances of the era, together with social reforms, would eventually bring harmony and prosperity to all. As a man of his age, his character can only be understood by understanding the aspirations of the age - the ideals and values that shaped his life and, ultimately, the manner of his untimely death.
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1918-1919 Influenza Epidemic in the Ravenna, Nebraska Area
When someone says, at a holiday dinner table, âOh, those Lawrence cousins lose control all the time,â or the Davises always had more talent than luck,â you can be sure there's a lesson being passed along, from one generation to another. Who tells stories to whom and about what is never a random matter. Our family stories have a secret power: they play a unique role in shaping our identity and our sense of our place in the world. They give us values, inspirations, warnings, and incentives. We need them. We use them. We keep them. They reverberate throughout our lives, affecting our choices in love, work, friendship, and lifestyle. Elizabeth Stone, whose grandparents came from I...
The Black Loyalists depicts the unique expressions of the Black Loyalist identity to Nova Scotia and Sierra Leone.
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Di Renzo compares the bizarre comedy in O'Connor's stories and novels to that of medieval narrative, art, folklore, and drama. Noting a strong kinship between her characters and the grotesqueries that adorn the margins of illuminated manuscripts and the facades of European cathedrals, he argues that O'Connor's Gothicism brings her tales closer in spirit to the English mystery cycles and the leering gargoyles of medieval architecture than to the Gothic fiction of Poe and Hawthorne. Annotation copyright by Book News, Inc., Portland, OR