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The Sugarbag Years
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Reconstructing the Criminal
This ambitious and imaginative work interprets criminal justice history by relating it to intellectual and cultural history. Starting from the assumption that policies and statutes originate in a society's values and norms, the author skilfully and persuasively demonstrates how changes in criminal law and penal practice were related to the changing values of early, mid, and late Victorian and Edwardian society. Wiener traces changes in the criminal justice system by examining the treatment of offenders. During the Victorian period the system became more punitive and was then reformed in line with welfarist thinking. Wiener's wide-ranging discussion of issues, most notably of free will versus determinism, sheds light on a broad range of Victorian history, beyond crime and punishment.
Reports of cases
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The New England Historical and Genealogical Register
Beginning in 1924, Proceedings are incorporated into the Apr. no.
The Descendants of John Hinson (1844-1931) and Wife Sarah Jane Rummage (1850-1915)
Traces the descendants of John Hinson and Sarah Jane Rummage of Stanly County, North Carolina. (Second edition)
The Medical Register
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Journal
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Horrifying Sex
The Gothic moment in literary history arose in the age of the Enlightenment, and the Gothic fascination with the unknown reflects the Enlightenment's response to the limits of reason. Traditionally, the emblem of the unknown that lurks in the Gothic is the supernatural, the monstrous, and the inhuman. Often overlooked is the observation that Gothic texts are also haunted by figures that represent the mystery of sexuality. This collection of essays sharpens that observation and asserts that Gothic anxieties about sexuality are likewise rooted in fear of the unknown, represented by sexual practices and desires that either lie hidden or deviate from cultural norms. The first three sections refer to popular as well as marginalized Gothic texts to portray the three prototypes of sexual "deviance": the female sexual Other in "The Fatal Woman"; the male sexual Other in "The Satanic Male"; and the homosexual Other in "Homosexual Horror." The fourth section covers literary works that celebrate sexual difference and question the idea that the sexually "deviant" is socially Other.
