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The Ideal Man
Twenty-nine-year-old Grace Watts is feeling stifled in her marriage to David Watts, a successful real estate agent. He is financially secure, but is insensitive, unimaginative, sexually inept and sometimes cruel. As Grace seeks meaning in her life, David becomes annoyed at what he considers "erratic behavior" and frustrated that his wife refuses to let anybody dominate her. Furthermore, he is tempted by the affections of Lana Dyson, his colleague from the real estate agency who is waiting for his increasingly fragile marriage to disintegrate so that she can have him all to herself. However, Grace remains with him because she has a fear of being alone. Grace crosses paths with Anthony Parris, an artist who opts for one-night stands because of a fear of intimacy. She becomes disgusted when she sees him in the arms of many different women, but when she unwittingly attends one of his exhibitions, she becomes increasingly drawn to him herself. In turn, Anthony learns that Grace is a dependable confidant. As David begins to let Grace down more and more, Anthony proves - much to her surprise - to be a strong ally. But will he believe her when she expresses her feelings for him?
Lists and Indexes
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Birth of a New Earth
In response to unprecedented environmental degradation, activists and popular movements have risen up to fight the crisis of climate change and the ongoing devastation of the earth. The environmental movement has undeniably influenced even its adversaries, as the language of sustainability can be found in corporate mission statements, government policy, and national security agendas. However, the price of success has been compromise, prompting soul-searching and questioning of the politics of environmentalism. Is it a revolutionary movement that opposes the current system? Or is it reformist, changing the system by working within it? In Birth of a New Earth, Adrian Parr argues that this is a...
Gan's Constructivism
This compelling new account of Russian constructivism repositions the agitator Aleksei Gan as the movement’s chief protagonist and theorist. Primarily a political organizer during the revolution and early Soviet period, Gan brought to the constructivist project an intimate acquaintance with the nuts and bolts of “making revolution.” Writing slogans, organizing amateur performances, and producing mass-media objects define an alternative conception of “the work of art”—no longer an autonomous object but a labor process through which solidarities are built. In an expansive analysis touching on aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory, Kristin Romberg invites us to consider a version of modernism organized around the radical flattening of hierarchies, a broad distribution of authorship, and the negotiation of constraints and dependencies. Moving beyond Cold War abstractions, Gan’s Constructivism offers a fine-grained understanding of what it means for an aesthetics to be political.
Reclaiming and Redefining American Exhibitions of Russian Art
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Revolutionary Acts
During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in ...
City Document
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Slum Beautiful
Slum beautiful is a remarkable, straight forward, poetic and eye stretching memoir of KyDeja Morgan’s (Slum Beautiful) struggling life. In her first 28 years of life she was molested, practiced blasphemous acts, robbed, sold drugs, used drugs, prostituted, and arrested and almost prosecuted for the murders of both her mother and brother. Like her other siblings, Slum was raised in a dysfunctional family that practiced open sex, used drugs, gambled and treated their home as a hangout for other addicts. Through her avowed journey in life, it would take Slum 28 years and 11 months, along with becoming homeless to find the beauty in her slum (mind, body, soul and surroundings.) she was able to...
