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Anthony Thwaite's Collected Poems, published as he reaches seventy-seven, give readers an opportunity to see gathered together all the poems he wants to preserve from the sixteen collections he has published since his debut in the Fantasy Poets series in 1953. Although his roots are partly in the Movement, he has developed a distinctive style - once described as 'cunningly modulated eloquence' - and a range of concerns which have defined his poetry from the beginning: memory, history, archaeology, travel (he has lived in Japan and Libya, writing of them with subtlety and affection), the intricacies of relationships, and now the frustrations of age. Through his own voice and those he has adopted (most memorably in 'The Letters of Synesius' and Victorian Voices), he has made a significant contribution to the literature of the last half-century, elegantly and perceptively setting the curiosities of the present against the layers of the past.
LITERATURE, CRITICISM, MEMOIRS, LETTERS / POETRY
Is both a history and an anthology of poetry in the English language, from Chaucer to T.S. Eliot and from Shakespeare to Dylan Thomas.
Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985. This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.
These poems, written over a period of forty years, confirm Anthony Thwaite as one of the most assured, interesting and enjoyable poets of his generation, whose work recognises conflicting forces. There is the need for roots and the desire to get away: there is the urge to speak plainly, and the impulse to speak through other voices. These are the poems of a traveller and explorer - of the contemporary world and of the past - who brings back tales which tell us more each time we read them.
Anthony Thwaite's collection is both moving and funny, elegiac and playful. The personal pomes span a lifetime as Thwaite relives moments of childhood, or reassesses his role as son to a dying mother, or gets told how to behave by his grandson. The principal concern of these poems is what lasts and what vanishes: dreams, memories, people, and objects. In this quest he takes us with him to Italy, Siberia, and Syria. It is, however, the very craft of his finely wrought poetry and its sudden movements of sheer beauty that make palpable for the reader "the shape of the invisible soul." Anthony Thwaite was born in 1930 and is a past editor of the Listener and New Statesman and co-editor of Encounter and the recipient of numerous awards for his writing.
Now that he is eighty-four, Anthony Thwaite says that Going Out is likely to be the last book of poems he publishes in his lifetime, and that the title is apt. But the words are wistful, even playful, and that is true of some of the book's contents. The poems range over times and places, commemorating friends (especially the poet Peter Porter), and draw on memories, hard-won faith, self-questioning. As Michael Frayn has put it, Thwaite 'writes with simplicity and precision about difficult and ambiguous things, the complexity and unceasingness of the world, the vastness and richness of the past, the elusiveness of the present - and the heroic persistence of our efforts to fix some trace of all this.' -- from back cover.
Philip Larkin's Required Writing, a selection from his miscellaneous prose from 1953-82, was highly praised and enjoyed when it appeared in 1983. Further Requirements gathers together many other interviews, broadcasts, statements and reviews. Some of them date from the period after he had chosen the contents of Required Writing; others come from obscure publications, including some early pieces. This second edition of Further Requirements includes two more essays by Larkin: 'Operation Manuscript' and his Introduction to Earth Memories by Llewelyn Powys.