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An Ethnology of the Admiralty Islanders
In 1931-32, Alfred Buhler (1900-81), who for many years was director of the Museum of Ethnology and the Swiss Museum of European Folklife, in Basel, assembled a unique collection documenting the culture of the Admiralty Islanders. The Admiralty Islands are located on the northern edge of the region of Melanesia, and today constitute the Manus province of the independent State of Papua New Guinea. In this book, commissioned by the Museum der Kulturen in Basel, Sylvia Ohnemus for the first time presents the results of Alfred Buhler's collecting and study expedition, which she complements with her own contributions based on information gathered in the field.
Indigenous War Painting of the Plains
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes ac...
Pacific Arts
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Myth and Magic
This book provides a rare opportunity to encounter masterpieces from the Sepik, works of art that speak of a time and place where spirits and ancestors were integral to daily life. These works come from the rich collections of the National Gallery of Australia, other Australian museums and art galleries, and the Papua New Guinea National Museum and Art Gallery. This publication celebrates the unique cultures of a country that has been so closely linked to ours, a country that is now celebrating its fortieth anniversary of independence.
Hoarding New Guinea
Hoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe's colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts. Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employi...
Collecting Colonialism
Colonialism has shaped the world we live in today and has often been studied at a global level, but there is less understanding of how colonial relations operated locally. This book takes twentieth-century Papua New Guinea as its focus, and charts the changes in colonial relationships as they were expressed through the flow of material culture. Exploring the links between colonialism and material culture in general, the authors focus on the particular insights that museum collections can provide into social relations. Collections made by anthropologists in New Britain in the first half of the century are compared with recent fieldwork in the area to provide a particularly in-depth picture of...
Oceanic Art
A documentary section about the principal cultural groups of the region provides an essential reference. An excellent map adds further value.
An Archaeology of Early Christianity in Vanuatu
Religious change is at its core a material as much as a spiritual process. Beliefs related to intangible spirits, ghosts, or gods were enacted through material relationships between people, places, and objects. The archaeology of mission sites from Tanna and Erromango islands, southern Vanuatu (formerly the New Hebrides), offer an informative case study for understanding the material dimensions of religious change. One of the primary ways that cultural difference was thrown into relief in the Presbyterian New Hebrides missions was in the realm of objects. Christian Protestant missionaries believed that religious conversion had to be accompanied by changes in the material conditions of everyd...
Coaxing the Spirits to Dance
Coaxing the Spirits to Dance explores the relationship between social life and artistic expression since the nineteenth century in one of the most important art-producing regions of Papua New Guinea. It includes a stunning presentation of hand-carved and hand-painted ancestor boards, masks, drums, skull racks, and personal items. Each society on the Papuan Gulf had its own elaborate traditions of carved, painted, or decorated masks, boards, and hand drums that filled the men's longhouses for use in dances and performances. Today these art objects offer a glimpse into the varied cosmologies and ritual lives of these surprisingly diverse societies before they were changed significantly through their contact with the West.
Indigenous Repatriation Handbook
"The Indigenous Repatriation Handbook was created to serve as a handy reference for Indigenous nations in BC and mainstream museums involved in the process of repatriation. It is important to note that it was created by and for Indigenous people working in repatriation."--
