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Letters and Epistolary Culture in Early Medieval China
Honorable Mention for the 2016 Kayden Book Award This first book-length study in Chinese or any Western language of personal letters and letter-writing in premodern China focuses on the earliest period (ca. 3rd-6th cent. CE) with a sizeable body of surviving correspondence. Along with the translation and analysis of many representative letters, Antje Richter explores the material culture of letter writing (writing supports and utensils, envelopes and seals, the transportation of finished letters) and letter-writing conventions (vocabulary, textual patterns, topicality, creativity). She considers the status of letters as a literary genre, ideal qualities of letters, and guides to letter-writi...
Children and the Good Life
In April 2009, an inspiring international conference was held at Bielefeld on the topic "Children and the Good Life: New Challenges for Research on Children." The focus was on how we can define and measure a "good life" for children growing up in the modern world. This tied in with discussions on how convincing universalistic theories are, what research on children can contribute, and how children themselves can be integrated into the research process and debates on the "good life." Discourses and the production of knowledge on the "good life" or "well-being" require a guiding idea or a theoretical frame. This frame can come from the feminist ethic of care or from the Human and Children's Rights Convention, from the idea of welfare, or from the Capability Approach.
Night-time and Sleep in Asia and the West
Drawing together case studies from Asia and Europe, the reader can see the differences in cultural importance given to the night, and how the challenges and opportunities of modernity have been played out in the East and the West.
Poems and Stories for Overcoming Idleness
Poems and Stories for Overcoming Idleness is the first complete translation in any Western language of P’ahan chip, the earliest Korean work of sihwa (C. shihua; “remarks on poetry”) and one of the oldest extant Korean sources. The collection was written and compiled by Yi Illo (1152–1220) during the mid-Koryǒ dynasty (918–1392). P’ahan chip features poetry composed in Literary Chinese (the scriptura franca of the premodern East Asian “Sinographic Sphere”) by the author and his friends, which included such literary greats as Im Ch’un (dates unknown) and O Sejae (1133–?). P’ahan chip also contains the work of other writers of diverse backgrounds: Chinese master poets, f...
The Painting Master's Shame
Overturning the long-held assumption that the Xuanhe Catalogue of Paintings was the work of the Northern Song emperor Huizong (r. 1100–1126), Amy McNair argues that it was compiled instead under the direction of Liang Shicheng. Liang, a high-ranking eunuch official who sought to raise his social status from that of despised menial to educated elite, had privileged access to the emperor and palace. McNair’s study, based on her translation and extensive analysis of the text of the Xuanhe Catalogue of Paintings, offers a definitive argument for the authorship of this major landmark in Chinese painting criticism and clarifies why and how it was compiled. The Painting Master’s Shame describ...
A History of Chinese Letters and Epistolary Culture
A History of Chinese Letters and Epistolary Culture is the first publication, in any language, that is dedicated to the study of Chinese epistolary literature and culture in its entirety, from the early empire to the twentieth century. The volume includes twenty-five essays dedicated to a broad spectrum of topics from postal transmission to letter calligraphy, epistolary networks to genre questions. It introduces dozens of letters, often the first translations into English, and thus makes epistolary history palpable in all its vitality and diversity: letters written by men and women from all walks of life to friends and lovers, princes and kings, scholars and monks, seniors and juniors, family members and neighbors, potential patrons, newspaper editors, and many more. With contributions by: Pablo Ariel Blitstein, R. Joe Cutter, Alexei Ditter, Ronald Egan, Imre Galambos, Natascha Gentz, Enno Giele, Natasha Heller, David R. Knechtges, Paul W. Kroll, Jie Li, Y. Edmund Lien, Bonnie S. McDougall, Amy McNair, David Pattinson, Zeb Raft, Antje Richter, Anna M. Shields, Suyoung Son, Janet Theiss, Xiaofei Tian, Lik Hang Tsui, Matthew Wells, Ellen Widmer, and Suzanne E. Wright.
Buddhist Healing in Medieval China and Japan
From its inception in northeastern India in the first millennium BCE, the Buddhist tradition has advocated a range of ideas and practices that were said to ensure health and well-being. As the religion developed and spread to other parts of Asia, healing deities were added to its pantheon, monastic institutions became centers of medical learning, and healer-monks gained renown for their mastery of ritual and medicinal therapeutics. In China, imported Buddhist knowledge contended with a sophisticated, state-supported system of medicine that was able to retain its influence among the elite. Further afield in Japan, where Chinese Buddhism and Chinese medicine were introduced simultaneously as p...
Entombed Epigraphy and Commemorative Culture in Early Medieval China
In Entombed Epigraphy and Commemorative Culture Timothy M. Davis presents a history of early muzhiming—the most versatile and persistent commemorative form employed in the elite burials of pre-modern China. While previous scholars have largely overlooked the contemporary religious, social, and cultural functions of these epigraphic objects, this study directly addresses these areas of concern, answering such basic questions as: Why were muzhiming buried in tombs? What distinguishes commemorative biography from dynastic history biography? And why did muzhiming develop into an essential commemorative genre esteemed by the upper classes? Furthermore, this study reveals how aspiring families used muzhiming to satisfy their obligations to deceased ancestors, establish a multi-generational sense of corporate identity, and strengthen their claims to elite status.
The Sōushen houji
The Sōushen houji 搜神後記 (Latter Notes on Collected Spirit Phenomena), attributed to the celebrated poet Tao Qian 陶潛 (365-427), is a compilation of anecdotes and stories known as zhiguai 志怪 ('records of the anomalous') that document strange and unusual phenomena the author observed in his lifetime. Intended to serve as a sequel to Gān Bǎo's 干寳 (d. 336) Sōushenji 搜神記 (Collected Spirit Phenomena), the original text was lost but was reconstructed in the late Ming dynasty. This volume presents an annotated translation of the entire Ming version of the Sōushen houji as well as of an additional set of surviving stories that were identified and restored to the text by the modern scholar Lǐ Jianguo 李劍國. The book also includes a history of the Sōushen houji text, an examination of its linguistic style and characteristics, a discussion of the historical nature of its contents and how it fits into the zhiguai genre, providing a window onto medieval Chinese society and culture, and a brief overview of recent zhiguai scholarship to guide readers who hope to continue their exploration of the genre.
Women in Early Medieval China
This important study provides the only comprehensive survey of Chinese women during the early medieval period of disunion, which lasted from the fall of the Eastern Han dynasty in 220 AD to the reunification of China by the Sui dynasty in 581 AD, also known as the Six Dynasties. Bret Hinsch offers rich descriptions of the most important aspects of female life in this era, including family and marriage, motherhood, political power, work, inheritance, education, and religious roles. He traces women’s lived experiences as well as the emotional life and the ideals they pursued. Building on the best Western and Japanese scholarship, Hinsch also draws heavily on Chinese primary sources and scholarship, most of which is unknown outside China. As the first study in English about women in the early medieval era, this groundbreaking book will open a new window into Chinese history for Western readers.
