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Tapestry Conservation: Principles and Practice
Tapestry Conservation: Principles and Practice explores current practice and recent research in tapestry conservation, promoting awareness of recent developments among conservators and custodians of tapestries. The book facilitates more informed conservation practice and decision-making, and helps custodians to select the most appropriate method of intervention.
Conserving Canvas
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...
On Canvas
The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers...
The wall paintings of the Great Mosque of Isfahan
Even more important is the question of the pre-Seljuq work in the Masjid-i-Jami’ of Isfahan. It is the most interesting, and, in the loveliness of some parts, the most beautiful of Persian buildings. No one can stand in its great dilapidated court, or under the Seljuq domes, where the loud flight of agitated pigeons leaves a profound silence that seems to roar in the ears, without a sense of awe. It is the work of many periods. But in the succession of these it contains hardly anything that is not of the best…” (Eric Schroeder, Standing Monuments of the First Period, 1967). The text publishes a thorough research of one element of the pre-Seljuq work of this monument, its wall painting....
Restoration of Amundsen’s lantern slides
The book presents for the first time the restoration of Amundsen’s glass slides, one of the most beautiful collections of slides in the world. The 248 slides are the photographic testimony of three great explorations: the Northwest Passage (1903-1906), the conquest of the South Pole (1910-1912) and the Maud expedition (1918-1925). Discovered by chance in 1986, the slides were restored in 2009 by Pietro Librici at the National Library of Norway, in a continuous cooperation with the institute team. The restoration is presented analytically in its methodological, technical, scientific and operational aspects, constituting an updated model of intervention. Critical historical studies that acco...
The Oxford Handbook of the Jesuits
Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The v...
International Journal for Digital Art History: Issue 3, 2018
Art History is centrally concerned with a vast array of three-dimensional objects, such as sculptures, and spaces, such as architecture. Digital technologies allow the creation of virtual spaces, which in turn allow us to simulate and compare aspects of a visual culture's three-dimensional timespace that cannot be communicated as a single, still image. The third issue, thus, focusses on the third dimension in Art History, and the digital realm that continues to mediate and transform it.
La prova
Nel corso dell’esistenza l’uomo si trova a dover fronteggiare svariate prove: momenti di valutazione delle proprie capacità, contesti che impongono una scelta, situazioni in cui si è chiamati a determinare se stessi esercitando il proprio libero...
Napoli, Pompei e la Costiera Amalfitana
“Napoli, Pompei e la Costiera Amalfitana sono un insieme inebriante di vie ricche di varia umanità, palazzi decadenti, borghi color pastello e panorami suggestivi.” In questa guida: escursioni a piedi e in auto, dimore reali e borghi, a tavola con i campani, Campania Felix.
