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A revisionist account of the Tejano experience in south Texas from its Spanish colonial roots to 1900.
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100 Years of Spanish Cinema provides an in-depth look at themost important movements, films, and directors of twentieth-centurySpain from the silent era to the present day. A glossary of film terms provides definitions of essentialtechnical, aesthetic, and historical terms Features a visual portfolio illustrating key points of many ofthe films analyzed Includes a clear, concise timeline to help students quicklyplace films and genres in Spain’s political, economical, andhistorical contexts Discusses over 20 films including Amor Que Mata, Un ChienAndalou, Viridana, El Verdugo, El Crimen de Cuenca, and Pepi, Luci, Born
Although children have proliferated in Spain's cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain's Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition - Ca...
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These sixty-one compositions were transcribed for baritone ukulele but most are also playable on the soprano and tenor ukulele. They are also certainly playable on a standard guitar and, in fact, are much easier as only the highest four strings are used - low E and A are ignored. The music encompasses pieces ranging from fairly easy to intermediate to more advanced.
Collected interviews with the Spanish filmmaker of Mama Turns a Hundred, Carmen, and Tango