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The Many Faces of Jesus Christ
"Updated version of an Orbis classic"--
The Princeton Seminary Bulletin
Vols. for 1907/1908-1936/1937: no. 1, Commencement issue, no. 2, Necrology report, no. 3, News, no. 4, Catalogue; v. for 1937/1938-1938/1939: no. 1, 3, News, no. 2, Bulletin of courses, no. 4, Catalogue; v. for 1939/1940-1944/1945: no. 1, 4, News, no. 2, Bulletin of courses, no. 3, Catalogue; v. for 1945/1946: no. 1, Bulletin of courses, no. 2, 4, News, no. 3, Catalogue; v. for 1946/1947-1952/1953: no. 1, 3, 4, News, no. 2, Catalogue.
Concrete Inferno
After a coup in 1964 that ousted Brazil’s leftist President João Goulart from power, a brutal military dictatorship took the reins of the state. As a result, elements of the persecuted Brazilian Communist Party split from a more peaceful, orthodox line and declared their intent to wage an insurgent war against the government, plunging the country into a conflagration of violence marked by cycles of urban bombings, political assassinations, institutional torture, kidnappings, and summary executions. Concrete Inferno relays this period in Brazil in a lucid narrative history, exploring what drove the military coup of 1964, the subsequent rise of the Armed Left, and the successes and failures of the insurgency and how it concluded. Stretching from the rumblings of discontent during João Goulart’s ascendancy in 1961 to the strange conclusion of the dictatorship in 1985, the book draws on new primary sources and a wealth of English- and Portuguese-language resources to provide a complete and evenhanded portrait of the conflict.
Minas Gerais in the Brazilian Federation, 1889-1937
One of three independent but coordinated studies on Brazilian regionalism, this book examines the complex dynamics of state-level and political structures in the politically important state of Minas Gerais.
Crítica literária acadêmica amazonense
No presente livro, elegemos como objeto de investigação a crítica literária acadêmica amazonense e seus itinerários pela poesia lírica do Amazonas, tendo em vista a necessidade de realizar um inventário sobre sua história e compreendê-la como um processo sociocultural. Propomos dividir e caracterizar a crítica literária em três gerações: a primeira é, em grande parte, caracterizada ou conhecida como uma crítica impressionista, subdividida em dois momentos, antes e depois do surgimento do Clube da Madrugada (1954), e pela publicação das obras dos primeiros críticos especialistas, ainda na década de 1970. A segunda, que designamos como geração de fundação, forma-se ent...
