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A Companion to the Flavian Age of Imperial Rome
  • Language: en
  • Pages: 733

A Companion to the Flavian Age of Imperial Rome

A Companion to the Flavian Age of Imperial Rome provides a systematic and comprehensive examination of the political, economic, social, and cultural nuances of the Flavian Age (69–96 CE). Includes contributions from over two dozen Classical Studies scholars organized into six thematic sections Illustrates how economic, social, and cultural forces interacted to create a variety of social worlds within a composite Roman empire Concludes with a series of appendices that provide detailed chronological and demographic information and an extensive glossary of terms Examines the Flavian Age more broadly and inclusively than ever before incorporating coverage of often neglected groups, such as women and non-Romans within the Empire

Tragedy in Ovid
  • Language: en
  • Pages: 289

Tragedy in Ovid

This comprehensive study establishes the importance of an unexpected genre, tragedy, in the career of the most mercurial Western poet.

Flavian Poetry and its Greek Past
  • Language: en
  • Pages: 475

Flavian Poetry and its Greek Past

  • Type: Book
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  • Published: 2014-01-16
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  • Publisher: BRILL

Flavian Poetry and its Greek Past breaks new ground by investigating the close interaction between Flavian poetry and Greek literary tradition and by evaluating the meaning of this affiliation in the socio-political and cultural context of the late first century CE. Authors examined include Martial, Silius Italicus, Statius, and Valerius Flaccus. Their interaction with Greek literature is not just thematic or geographical: the Greek literary past is conceived as the poetic influence of a variety of authors, periods, and genres, such as Homer, the Cyclic tradition, Greek lyric poetry, Greek tragedy, Hellenistic poetry and aesthetics, and Greek historiography.

The Facts on File Companion to Classical Drama
  • Language: en
  • Pages: 689

The Facts on File Companion to Classical Drama

Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.

Urban Disasters and the Roman Imagination
  • Language: en
  • Pages: 352

Urban Disasters and the Roman Imagination

This book affords new perspectives on urban disasters in the ancient Roman context, attending not just to the material and historical realities of such events, but also to the imaginary and literary possibilities offered by urban disaster as a figure of thought. Existential threats to the ancient city took many forms, including military invasions, natural disasters, public health crises, and gradual systemic collapses brought on by political or economic factors. In Roman cities, the memory of such events left lasting imprints on the city in psychological as well as in material terms. Individual chapters explore historical disasters and their commemoration, but others also consider of the eff...

In the Image of the Ancestors
  • Language: en
  • Pages: 297

In the Image of the Ancestors

Neil W. Bernstein argues that four Roman epic poems contain depictions of kinship that are significantly different from earlier epic and examines these representations in the context of the social, political, and aesthetic changes of the early Imperial period.

Women in Roman Republican Drama
  • Language: en
  • Pages: 275

Women in Roman Republican Drama

About the role of women in Roman Republican plays of all genres, and about the role of gender in the influence of this on later dramatists

Roman Drama and its Contexts
  • Language: en
  • Pages: 593

Roman Drama and its Contexts

Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed.

Reading Roman Pride
  • Language: en
  • Pages: 347

Reading Roman Pride

Pride is pervasive in Roman texts, as an emotion and a political and social concept implicated in ideas of power. This study examines Roman discourse of pride from two distinct complementary perspectives. The first is based on scripts, mini-stories told to illustrate what pride is, how it arises and develops, and where it fits within the Roman emotional landscape. The second is semantic, and draws attention to differences between terms within the pride field. The peculiar feature of Roman pride that emerges is that it appears exclusively as a negative emotion, attributed externally and condemned, up to the Augustan period. This previously unnoticed lack of expression of positive pride in rep...

Humanism and Good Books in Sixteenth-Century England
  • Language: en
  • Pages: 241

Humanism and Good Books in Sixteenth-Century England

This book explores sixteenth-century humanism as an origin for the idea of literature as good, even great, books. It argues that humanists located the value of books not only in the goodness of their writing-their eloquence—but also in their capacity to shape readers in good and bad behavior, thoughts, and feelings, in other words, in their morality. To approach humanism in this way, by attending to its moral interests, is to provide a new perspective on periodization, the transition from the Middle Ages to the Renaissance / early modern. That is, humanists did not so much rupture with medieval ideas about literature or with medieval models as they adapted and altered them, offering a new ...