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Salazar, Prime Minister of Portugal Says
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From Hitler's Doorstep
For three years during World War II, future Director of Central Intelligence Allen Dulles commanded the OSS mission in Bern, Switzerland. From Hitler's Doorstep provides an annotated selection of his reports to Washington from 1942 to 1945. Dulles was a leading source of Allied intelligence on Nazi Germany and the occupied nations. The messages presented in this volume were based on information received through agents and networks operating in France, Italy, Austria, Eastern Europe, and Germany itself. They deal with subjects ranging from enemy troop strength and military plans to political developments, support of resistance movements, secret weapons, psychological warfare, and peace feeler...
Aaron Copland in Latin America
Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad. Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A. Hess’s in-depth examination of the composer’s approach to cultural diplomacy. As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history. In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations. Back at home, he used his celebrity to draw attention to regional composers he admired. Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission. She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
Sobral Pinto, "The Conscience of Brazil"
Praised by his admirers as "one of those rare heroic figures out of Plutarch" and as "an intrepid Don Quixote," Brazilian lawyer Heráclito Fontoura Sobral Pinto (1893-1991) was the most consistently forceful opponent of dictator Getúlio Vargas. Through legal cases, activism in Catholic and lawyers' associations, newspaper polemics, and a voluminous correspondence, Sobral Pinto fought for democracy, morality, and justice, particularly for the downtrodden. This book is the first of a projected two-volume biography of Sobral Pinto. Drawing on Sobral's vast correspondence, which was not previously available to researchers, John W. F. Dulles confirms that Sobral Pinto was a true reformer, who h...
A Forced Agreement
During much of the military regime in Brazil (1964-1985), an elaborate but illegal system of restrictions prevented the press from covering important news or criticizing the government. In this intriguing new book, Anne-Marie Smith investigates why the press acquiesced to this system, and why this state-administered system of restrictions was known as “self-censorship.” Smith argues that it was routine, rather than fear, that kept the lid on Brazil's press. The banality of state censorship-a mundane, encompassing set of automatically repeated procedures that functioned much like any other state bureaucracy-seemed impossible to circumvent. While the press did not consider the censorship legitimate, they were never able to develop the resources to overcome censorship's burdensome routines.
Memory in Hungarian Fascism
Memory in Hungarian Fascism: A Cultural History argues that fascist memory had a key role in the historical formation and later return of fascism. Tracing the trajectory of a perennial figure of fascist memory, the cult of Eszter Sólymosi, from interwar Hungary through the Cold War West to contemporary Hungary, the book covers a century of fascism and offers a unique combination of fascism studies and memory studies. How did fascists challenge liberal memory after the First World War? How did the memory culture they created come to frame and feed the Second World War and the genocide? In what ways did fascist memory transform as they navigated the challenges of exile in a profoundly changed...
Muggles, Monsters and Magicians
Originally published as the author's dissertation (doctoral)--Philipps-Universiteat Marburg, 2006.
The Cultural Identities of European Cities
Cities are both real and imaginary places whose identity is dependent on their distinctive heritage: a network of historically transmitted cultural resources. The essays in this volume, which originate from a lecture series at the Institute of Germanic & Romance Studies, University of London, explore the complex and multi-layered identities of European cities. Themes that run through the essays include: nostalgia for a grander past; location between Eastern and Western ideologies, religions and cultures; and the fluidity and palimpsest quality of city identity. Not only does the book provide different thematic angles and a variety of approaches to the investigation of city identity, it also emphasizes the importance of diverse cultural components. The essays presented here discuss cultural forms as various as music, architecture, literature, journalism, philosophy, television, film, myths, urban planning and the naming of streets.
