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It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. Earthquakes in London is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. The play deals, through amplified theatricality, with a range of contemporary issues from population growth to climate change. An all-pervasive fear of the future and a gui...
But that's what this is, isn't it? The ultimate bitch fight. When John takes a break from his boyfriend, his accidentally meets the girl of his dreams. Filled with guilt and indecision, he decides there is only one way to straighten this out . . . Mike Bartlett's metrosexual play about love and longing provides us with questions of who we are and who we want to be. John's refusal to fix his identity disturbs and disrupts the lives of those around him in this contemporary tale of sex without nudity and struggle without violence. Mike Bartlett's punchy story takes a playful, candid look at one man's sexuality and the difficulties that arise when you realise you have a choice. Cock premiered at the Royal Court Theatre, London, on 13 November 2009. It is published here in the Modern Classics series, featuring an introduction by Mark O'Thomas.
A real man is strong. A real man is driven. A real man provides. A father finds himself being phased out of his son's life. Denied access to his only child, he goes to extraordinary lengths to hold on to him. My Child throws us into a violent world where good intentions count for very little, and offers an incisive, honest look at what it means to be a good parent. Premiered at the Royal Court Theatre Jerwood Theatre Downstairs, this is a remarkably powerful and affecting work from a writer hailed by The Stage as 'one of the most exciting new talents to emerge in recent times'.
Sixteen-year-old Kelly has never known her Dad. Turns out he's from Iraq, which her mum never mentioned, and he's brought an ancient Mesopotamian vase as some kind of present. But Kelly doesn't want a vase. She wants her dad to stay and get to know her. It's not the reunion either of them expected and for Kelly, it's the beginning of an epic and dangerous journey. Mike Bartlett has been described as 'One of the most exciting new talents to emerge in recent times'. (The Stage). His first play My Child was called 'Brutal, thrilling, unmissable' (Evening Standard) and 'the theatrical equivalent of a firecracker'. (Metro).
A razor-sharp play about the fine line between office politics and playground bullying, Bull offers ringside seats as three employees fight to keep their jobs. Mike Bartlett's acid-tongued play opened at the Young Vic, London, in 2015. It was originally performed at the Crucible Studio Theatre Sheffield in 2013, and was subsequently produced Off-Broadway in New York.
Come in. Sit down. How are you? Emma's been seeing Darren. She thinks she's in love. Her boss thinks she's in breach of contract. The situation needs to be resolved. An ink-black comedy from Mike Bartlett about work and play, which invites the audience to a meeting at the centre of the Royal Court building.
"Mike Bartlett's funny and poignant play for one actor tells a story of desire, control, raised blinds and lowered boundaries."--Publisher's website.
Work out what you want and go for it with all your conviction and don't care if you seem outrageous or stupid... All that's needed, in the end, is belief. An identical, terrifying dream haunts Londoners in the midst of economic gloom and ineffective protest. Whilst the prime minister considers a preventive war, a young man returns home with a vision for the future. Coincidences, omens and visions collide with political reality in this epic new play from the writer of Earthquakes in London. Set in a dark and magical landscape, it depicts a London both familiar and strange, a London staring into the void. In a year which has seen governments fall as the people take to the streets, 13 explores the meaning of personal responsibility, the hold that the past has over the future and the nature of belief itself.
Mike Bartlett's play Snowflake is an epic story about generational conflict, fathers and daughters, and whether we're living in the best or worst of times.
A darkly comic play that explores the unexpected and life-changing consequences of challenging the status quo at a global level.