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An elegy for a friendship and artistic partnership cut short by death, exploring the space between activism and art, effaced histories, and abandoned futures.
Courtney Love has never been less than notorious. Her intelligence, ambition and appetite for confrontation have made her a target in a music industry still dominated by men. As Kurt Cobain's wife she was derided as an opportunistic groupie; as his widow she is pitied, and scorned, as the madwoman in rock's attic. Yet Hole's second album, Live Through This, awoke a feminist consciousness in a generation of young listeners. Live Through This arrived in 1994, at a tumultuous point in the history of American music. Three years earlier Nirvana's Nevermind had broken open the punk underground, and the first issue of a zine called Riot Grrrl had been published. Hole were of this context and yet outside of it: too famous for the strict punk ethics of riotgrrrl, too explicitly feminist to be the world's biggest rock band. Live Through This is an album about girlhood and motherhood; desire and disgust; self-destruction and survival. There have been few rock albums before or since so intimately concerned with female experience. It is an album that changed lives – so why is Courtney Love's achievement as a songwriter and musician still not taken seriously, two decades on?
Courtney Love has never been less than notorious. Her intelligence, ambition and appetite for confrontation have made her a target in a music industry still dominated by men. As Kurt Cobain's wife she was derided as an opportunistic groupie; as his widow she is pitied, and scorned, as the madwoman in rock's attic. Yet Hole's second album, Live Through This, awoke a feminist consciousness in a generation of young listeners. Live Through This arrived in 1994, at a tumultuous point in the history of American music. Three years earlier Nirvana's Nevermind had broken open the punk underground, and the first issue of a zine called Riot Grrrl had been published. Hole were of this context and yet outside of it: too famous for the strict punk ethics of riotgrrrl, too explicitly feminist to be the world's biggest rock band. Live Through This is an album about girlhood and motherhood; desire and disgust; self-destruction and survival. There have been few rock albums before or since so intimately concerned with female experience. It is an album that changed lives – so why is Courtney Love's achievement as a songwriter and musician still not taken seriously, two decades on?
Shortlisted for Most Underrated Book Award 2019 Rob; (and his brother Pen) white Aussies. Rob is completing Year 12, going to schoolies, working as an apprentice in his dad’s company and loves his dog, Nig. Rob believes real men take risks. Pen; fifteen-years-old, storyteller, graffiti artiste extraordinaire with a penchant for male anatomy. Pen is liked by everyone. Pen and Benny Boy are mates. Benny Boy; fifteen-years-old, Aboriginal, loves drawing, fishing and living with his awesome (white) foster Nan. Benny Boy doesn’t trust Rob. Jack; white, male, finishing Year 12, new to the area, from the bush and adopted into an Aboriginal family. Jack has met Pen and reckons he’s a funny bugger. He has also just signed up as an apprentice working alongside Rob-the-knob. Brontide is a coming of age story about four boys and their lot in life. Recounted through storytelling sessions at their school over a period of five days, these boys chronicle their lives. They are at times demanding, occasionally rude, always funny and unexpectedly profound. The boys like to challenge themselves and the rules, and soon realise that not everything goes to plan…
The best and most interesting stories by Robert Aickman, a master of the supernatural tale, the uncanny, and the truly weird. Robert Aickman’s self-described “strange stories” are confoundingly and uniquely his own. These superbly written tales terrify not with standard thrills and gore but through a radical overturning of the laws of nature and everyday life. His territory of the strange, of the “void behind the face of order,” is a surreal region that grotesquely mimics the quotidian: Is that river the Thames, or is it even a river? What does it mean when a prospective lover removes one dress, and then another—and then another? Does a herd of cows in a peaceful churchyard contain the souls of jilted women preparing to trample a cruel lover to death? Published for the first time under one cover, the stories in this collection offer an unequaled introduction to a profoundly original modern master of the uncanny.
Raucous, sensual and sublime: how twelve pioneering female artists rewrote the rules of pop. From Kate Bush to Nicki Minaj, from Janet Jackson to TLC and Taylor Swift, pop's greatest female pioneers are simply strange: smashing notions of taste and decorum, and replacing them with new ideals of pleasure. Instead of rehashing biographies, Lesley Chow dives deep into the music of these groundbreaking performers, identifying the ecstatic moments in their songs and finding out what makes them unique. You're History is a love letter to pop's most singular achievements, celebrating the innovations of women who are still critically underrated. It's a ride that includes tributes to Chaka Khan, Rihanna, Neneh Cherry, Sade, Shakespears Sister, Azealia Banks, and many more... “The slim, sharp book considers a range of female artists from Janet Jackson and Taylor Swift to TLC and Nicki Minaj, a group that the Australian cultural critic Chow views as ‘outliers, marking moments where the culture might have swerved to incorporate their influence, but somehow contrived not to.’” — New York Times summer reads
Novelist Fiona McGregor'snew book, Buried Not Dead, is a collection of essays on art, literature and performance, sexuality, activism and the life of the city. It features performance artists, writers, dancers, tattooists and DJs, some of them famous, like Marina Abramović and Mike Parr, while others, like Latai Taumoepeau, Lanny K and Kathleen Mary Fallon, are important figures but less well known. In her portraits of these performers and artists and the scenes they inhabit, McGregor creates an intimate and expansive archive of a kind rarely recorded in our histories. Fiona McGregor has a deep and enduring involvement in the worlds she represents. She came of age as an artist during an out...
New collection of essays on the relationships between humans and animals, by Vanessa Berry, author of Mirror Sydney, and the memoir of adolescence Ninety9. Gentle and Fierce focuses on the world of animals, and the way their presence has shaped the author’s attitudes and her sense of self. Having spent her life in city environments, Vanessa Berry’s experiences with animals have largely been through encounters with urban creatures, representations of animals in art and the media, and as decorative ornaments or kitsch. The essays suggest that these mediated encounters, rather than being mundane or removed from nature, provide meaningful connections with the animal world, at a time in which...
Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.
“Signs, wonders, and witchcraft beset 17th-century France” in this “grim but spellbinding” novel of a mother searching for her son inspired by true events (Kirkus Reviews). France, 1673. A young woman from the country, Charlotte Picot must venture to the fearsome city of Paris in search of her last remaining son, Nicolas. Either fate or mere coincidence places the quick-witted charlatan Adam Lesage in her path. Adam is newly released from the prison galleys and on the hunt for treasure. But Charlotte, believing him to be a spirit she has summoned from the underworld, enlists his help in finding her child. Charlotte and Adam―comically ill-matched yet essential to one another―journey to Paris, then known as the City of Crows. Evoking pre-revolutionary France with all its ribaldry, superstition, and intrigue, “Womersley weaves a haunting tale of the drastic lengths people will go to achieve their deepest desires” (Publishers Weekly). “A gothic masterpiece.” ―Better Read Than Dead