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The Argonautica of Apollonius of Rhodes, composed in the third century BC and the only extant Greek epic between Homer and the later Roman empire, tells of Jason's successful expedition with the Argonauts to recover the Golden Fleece from Colchis on the Black Sea. Book III relates the story of Jason and Medea, a young Colchian princess who falls in love with Jason and helps him by magic to survive the ordeals imposed by her father. The description of Medea's emotional suffering exercised a profound influence on subsequent writers and especially on Virgil in his account of Dido and Aeneas. Dr Hunter's edition provides a full introduction to the poem and its poet, an up-to-date text of Book II...
The Argonautica is the only surviving epic between Homer and Virgil; Book IV is an extraordinary product of Greek poetry.
This volume on Apollonius of Rhodes, whose Argonautica is the sole full-length epic to survive from the Hellenistic period, comprises articles by fourteen leading scholars from Europe and America. Their contributions cover a wide range of issues from the history of the text and the problems of the poet's biography through questions of style, literary technique and intertextual relations to the epic's literary and cultural reception. The aim is to give an up-to-date outline of the scholarly discussion in these areas and to provide a survey of recent and current trends in Apollonian studies which will be useful to students of Hellenistic poetry in general as well as to scholars with a specialised interest in Apollonius.
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Apollonius Rhodius' Argonautica is a voyage across time as well as space. The Argonauts encounter monsters, nymphs, shepherds, and kings who represent earlier stages of the cosmos or human society; they are given glimpses into the future, and themselves effect changes in the world through which they travel. Readers undergo a still more complex form of temporal transport, enabled not just to imagine themselves into the deep past, but to examine the layers of poetic and intellectual history from which Apollonius crafts his poem. Taking its lead from ancient critical preoccupations with poetry's ethical significance, this volume argues that the Argonautica produces an understanding of time and ...
In this book Dr. Byre suggests that perhaps Apollonius was not a blunderer and that perhaps he was not trying to be Homer. Dr. Byre further suggests that much of what has been criticized in Argonautica-Jason's indecisiveness, the confused and conflicting aims of the gods-reflect thesame skillful psychology for which his portrait of Medea is praised: an awareness of the conflicts that are a continual part of all our behavior, and our uncertainty about the respective roles of fate and chance in our careers.