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New York City in the late '70s was a collection of villages with its downtown scene, midtown workers, and uptown elegance. It was also a city that was more integrated than ever before or ever would be again. All of the city's humanity met in its streets with layered soundtracks of salsa, rock, disco, reggae, and soon hip-hop booming for all to groove to. But, NYC was also a place of chaos and mayhem. Teetering on the brink of bankruptcy with rampant crime it was the city's drug users, dealers, and pimps and prostitutes who ruled the streets of Manhattan. The grittiness of the city was a beacon and a promise to many outsiders, those who didn't quite fit into any mold, and a vibrant LGBTQ comm...
Natural Barefoot Trimming; The Hoof Guided Method offers a unique method of barefoot trimming based on reading the hoof. Learn what to trim and what to leave alone in order to allow nature to quickly transform the hoof. The Hoof Guided Method is truly a less is more method based on the theory that a barefoot trim should mimic - or simulate - the action of the ground on the hoof, and that the true purpose of the trim is to stimulate the foot to grow healthy. Simulate and stimulate. Learn to stop micro-managing the hoof and work with nature instead of trying to force man's ideals onto the hoof. The hoof responds to everything it experiences, and that includes trimming. By trimming only what is indicated, then waiting for the hoof to respond, the foot is allowed to transform itself. And it will. The definition of insanity is repeating the same thing over and over and expecting different results. The Hoof Guided Method shows you how to read the hoof and get real results in a short amount of time.
With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.
Traces the experiences of child soldiers in Sierra Leone during and after war and examines the implications of their participation.
'Target Cambridge English: First' prepares students for the First Certificate in English (FCE) exam from Cambridge English Language Assessment. Essential exam practice, tips and strategies are combined with stimulating, communicative activities ensuring lessons are varied and engaging - and that students are ready for their exam.
The culmination of more than thirty years of research, Olympians of the Sawdust Circle is an attempt to identify every major and minor player in the American circus world of the nineteenth century. This A-Z guide lists: surname, given name, dates of birth and death (if known), type of entertainment (and function) with which the individual was associated, and the companies and dates by whom the person was employed. Every researcher and library interested in American circus history will need this seminal guide. An absolutely astonishing piece of scholarship.
This book explores the complex and enigmatic motif of hair in the work of five contemporary women artists, Chrystl Rijkeboer, Alice Maher, Annegret Soltau, Kathy Prendergast and Ellen Gallagher, from the late 1970s to the present. It investigates why hair is such a productive and resonant site of meaning, how it is suggestive of, and responds to, serial strategies, and why it appears to be of particular significance to women who are artists. It explores the implications of hair as an embodied material, its role as a haptic metaphor of the life cycle, and what might be seen as a darker, more liminal side of hair as a site of excess and body waste, and its ability to represent trauma and ‘wounding’. It also discusses some of the divergent histories of hair as a rich marker of identity in cultural discourses of beauty, myth and femininity, and as a symbol of status and power. Informed by a range of theoretical approaches, this book draws on Julia Kristeva’s theorizations of the abject, Hélène Cixous’s notion of écriture feminine, and a Deleuzian consideration of difference.
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A groundbreaking survey on gender development and identity-making among America's transsexual women, transsexual men, cross-dressers and gender-queer individuals.