Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Real Traviata
The story of Marie Duplessis, the woman who inspired Verdi's La traviata. A rags-to-riches fairytale, from rural poverty to Parisian stardom, which ended in tragedy but gave rise to some of the most heart-wrenching and lyrical music ever composed.
Sodom and Gomorrah
An authoritative new edition of the fourth volume in Marcel Proust's epic masterwork, In Search of Lost Time series Marcel Proust's monumental seven-part novel In Search of Lost Time is considered by many to be the greatest novel of the twentieth century. The fourth volume, Sodom and Gomorrah, is notable for its pioneering discussion of homosexuality. After its publication, Colette wrote to Proust, "No one has written pages such as these on homosexuals, no one!" This edition is edited and annotated by noted Proust scholar William C. Carter, who endeavors to bring the classic C. K. Scott Moncrieff translation closer to the spirit and style of the original.
The Last Jacobites
For most people, the story of the Jacobites perished on a bitter April day in 1746 when their hopes of restoring the exiled Stuart monarchy at the battle of Culloden were crushed. Beyond this military defeat, which marked the end of the ’45 rebellion, there were surviving embers who kept alive the cause for some time. For some years, Prince Charles Edward Stuart (Bonnie Prince Charlie) and his exiled supporters plotted with European powers to restore his banished house and regain the British throne, but there was never again a military attempt to oust the Hanoverians who displaced his lineage. In Europe, Jacobite networks flourished in France, but also in Scandinavia and were influential i...
The Mystery of Chopin's Préludes
Chopin's twenty-four Préludes remain as mysterious today as when they were newly published. What prompted Franz Liszt and others to consider Chopin's Préludes to be compositions in their own right rather than introductions to other works? What did set Chopin's Préludes so drastically apart from their forerunners? What exactly was 'the morbid, the feverish, the repellent' that Schumann heard in Opus 28, in that 'wild motley' of 'strange sketches' and 'ruins'? Why did Liszt and another, anonymous, reviewer publicly suggest that Lamartine's poem Les Préludes served as an inspiration for Chopin's Opus 28? And, if that is indeed the case, how did the poem affect the structure and the thematic contents of Chopin's Préludes? And, lastly, is Opus 28 a random assortment of short pieces or a cohesive cycle? In this monograph, richly illustrated with musical examples, Anatole Leikin combines historical perspectives, hermeneutic and thematic analyses, and a range of practical implications for performers to explore these questions and illuminate the music of one of the best loved collections of music for the piano.
The Cambridge Companion to Gothic Fiction
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. Here fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called Gothic story ) to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between high and popular culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Catalogue of the Library of the Peabody Institute of the City of Baltimore
Reprint of the original, first published in 1883.
Novel Stages
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
