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This collection of essays associated with Mario Vargas Llosa’s visits to the City College of New York offers readers an opportunity to learn about his body of work through his own perspective and those of key fiction writers and literary critics.
Paris, May 1940. Nazi troops storm the city and at Le Bourget airport, on the last flight out, sits Dr Alexandre Yersin, his gaze politely turned away from his fellow passengers with their jewels sewn into their luggage. He is too old for the combat ahead, and besides he has already saved millions of lives. When he was the brilliant young protégé of Louis Pasteur, he focused his exceptional mind on a great medical conundrum: in 1894, on a Hong Kong hospital forecourt, he identified and vaccinated against bubonic plague, later named in his honour Yersinia pestis. Swiss by birth and trained in Germany and France, Yersin is the son of empiricism and endeavour; but he has a romantic hunger for...
Includes entries for maps and atlases.
The essays included in Talking Books with Mario Vargas Llosa celebrate Mario Vargas Llosa’s visits to the City College of New York, the creation of the Cátedra Vargas Llosa in his honor, and the interests of the Peruvian author in reading and books. This volume contains previously unpublished material by Vargas Llosa himself, as well as by novelists and literary critics associated with the Cátedra. This collection offers readers an opportunity to learn about Vargas Llosa’s body of work through multiple perspectives: his own and those of eminent fiction writers and important literary critics. The book offers significant analysis and rich conversation that bring to life many of the Nobel...
Foreigners in the Homeland analyzes the reception of the Latin American Boom novel in Spain. It argues in favor of an expanded concept of national literature that is not restricted to the native production of citizens but also takes into consideration the importance and nationalization of foreign cultural products. Charting the courses of interliterary relations between Spain and Spanish America, the book analyzes the conditions of the literary market during the 1960s and 1970s, follows the appropriation and canonization of Latin American authors and texts by readers and writers, and examines their impact on the resurgence of regional literatures within Spanish territory.
"A Comparative History of Literatures in the Iberian Peninsula" is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested.Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda."A Comparative History of Literatures in the Iberian Peninsula" undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all inhis novels.
This is the story of the Cuban Revolution and what caused it, the psychology of its protagonists, and a critical assessment of its results, by a. Cuban-born journalist, author and professor residing in Spain. In a disquieting epilogue, the author dares to.